{"id":9758,"date":"2023-06-17T08:56:57","date_gmt":"2023-06-17T06:56:57","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=9758"},"modified":"2024-01-27T16:58:36","modified_gmt":"2024-01-27T15:58:36","slug":"24-flam","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/24-flam\/?lang=en","title":{"rendered":"24 &#8211; Flam"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/24-flam-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbb2a3-3f8f\"><button aria-controls=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>24 Flam<\/h4>\n<p><strong>Mirko Pedrotti Quintet<\/strong><\/p>\n<p>A synthesis of continuous creative exploration and the energy of rhythm, both musical and vital, the search for balance within the ensemble: nusica.org presents the new project of Mirko Pedrotti&#8217;s quintet, a close-knit formation celebrating 10 years of activity with Flam.<\/p>\n<p>Flam is a percussion technique which consists of striking the instrument twice in quick succession. But it is also the flame that fuels the creative drive of a historic group that reaches the milestone of 10 years. A dual interpretation that gives the title to Mirko Pedrotti Quintet&#8217;s fourth album, set to be released on nusica.org on June 18, 2023.<\/p>\n<ul>\n<li>Mirko Pedrotti (vibraphone)<\/li>\n<li>Lorenzo Sighel (alto saxophone)<\/li>\n<li>Luca Olzer (rhodes, piano, and synthesizers)<\/li>\n<li>Michele Bazzanella (bass)<\/li>\n<li>Matteo Giordani (drums)<\/li>\n<\/ul>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1332\" height=\"1020\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet.jpg 1332w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet-300x230.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet-1024x784.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Mirko-Pedrotti-Quintet-768x588.jpg 768w\" sizes=\"(max-width: 1332px) 100vw, 1332px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>This project highlights the melodic aspect without, however, relinquishing its nature where the energy of rhythm is the pillar and main characteristic. Balancing the sounds and form, the interplay of fullness and emptiness, dialogues between all and in pairs, are just some of the elements explored in this recording.<\/p>\n<p>With this idea, the ensemble led by Mirko Pedrotti (vibraphone) with Lorenzo Sighel (alto saxophone), Luca Olzer (Rhodes, piano, synthesizers), Michele Bazzanella (bass), and Matteo Giordani (drums) has shaped six tracks and two &#8220;fragments&#8221;: Lupi Solitari, a piece &#8220;for all nonconformists and loners&#8221; where the modal approach is only clear in appearance, then opening up to surprising grafts, with Arabic melodies, Rhodes and vibraphone riffs, and new, unexpected harmonies; on the other hand, the dedication of Rouge One is to rebels and adventurers, taking its title from the Star Wars spin-off, with a reworking of a musical fragment that intertwines the famous melodies of the Imperial March and the Force theme; Upstairs leads the listener in an unknown and at times confused direction, dreamlike, as if walking through Escher&#8217;s Stairs; Flam, which gives the album its title, encapsulates the trust that compelled the various musicians to serve the composition, in search of the right balance. The first part, which clearly describes the nature of the quintet, predominantly focused on the rhythmic and frenetic aspect, is complemented by a second part, calmer and more melodious, representing the direction the group intends to take.<\/p>\n<p>Following that are Riflesso d&#8217;Ombra, a reflective and dreamy piece that brings out the melodic aspect of the bass, and Kim\u00e8ra, the first composition written for this formation, revisited ten years later in a renewed form as a celebration of this anniversary. As tradition dictates, the album concludes with two more &#8220;fragments&#8221; from the Suite container, a creative well from which the group draws elements or stimuli to develop for subsequent compositions.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1681484076962-b88953a6-2fb4\"><button aria-controls=\"content-1681484076962-b88953a6-2fb4\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Mirko Pedrotti Quintet<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1681484076962-b88953a6-2fb4\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>MPQ (Mirko Pedrotti Quintet) was started in 2013 by the vibraphonist Mirko Pedrotti from Trentino, and focuses on the study, research and experimentation of instrumental music.<\/p>\n<p>Influences from a variety of musical sources can be heard in the group\u2019s musical output: jazz, minimalist, rock, progressive, classical music among others stylistic elements that coexist in their compositions, creating a contemporary, characteristic style. Captivating groove, polyrhythms and careful attention to timbral combinations are perhaps the main features of MPQ, who, soon after at the outset, won high acclaim: they were awarded absolute first prize at the Barga Jazz Contest (2013) and second place at the Baronissi Jazz Festival (2013) both of which helped to launch the group and give them visibility at national and international level.<\/p>\n<p>In these years of activity, MPQ has performed in over fifty concerts both in Italy and abroad. Their collaborations with the guitarist Chris Montague and the trombonist Gianluca Petrella are particularly worthy of note.<\/p>\n<p><strong>Discography:<\/strong><br \/>\n&#8211; Kim\u00e8ra 2013 (Stivo Records)<br \/>\n&#8211; MPQ 2015 (Stivo Records)<br \/>\n&#8211; Durch 2019 (nusica.org)<br \/>\n&#8211; <em>new release<\/em> Flam 2023 (nusica.org)<\/p>\n<p><strong>Contacts:<\/strong><br \/>\n<a href=\"mailto:mirkopedrottiquintet@gmail.com\">mirkopedrottiquintet@gmail.com<\/a><br \/>\ntel. +39 3493830228<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-2812b2a3-3f8f\"><button aria-controls=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Listen to<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-1669\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-1669 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/Flam\" target=\"_blank\" rel=\"noopener\">Listen on the main <strong>streaming channels<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474b2a3-3f8f\"><button aria-controls=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Tracks and Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p class=\"p1\"><b>01. LUPI SOLITARI<br \/>\n<\/b><span class=\"Apple-converted-space\">Se ti sei mai sentito estraneo, anticonformista e solitario questo brano \u00e8 dedicato anche a te. La tonalit\u00e0 di sol con un\u2019unica alterazione in chiave, ne ribadisce il concetto. L&#8217;idea compositiva \u00e8 partita dal riff in 7\/4, esposto sin dall&#8217;inizio dal vibrafono; l&#8217;approccio modale sembra molto chiaro, ma non lasciatevi ingannare, presto si innestano nella musica accordi che trascinano l&#8217;atmosfera in una modalit\u00e0 pi\u00f9 complessa nei quali si insinua una melodia arabeggiante.<br \/>\nIl riff di rhodes, prima del solo di vibrafono, lascia spazio ad un approccio compositivo intervallare, dove gli accordi saltano qua e l\u00e0 lontani dalla tonalit\u00e0 d&#8217;impianto, per poi farvi ritorno.<br \/>\nL&#8217;attacco del lupo \u00e8 avvenuto, le sonorit\u00e0 pi\u00f9 consone dei modi di sol maggiore sono state predate e non rimane che un&#8217;armonia nuova, dove si esprime il solo di sassofono prima della chiusura di un nuovo tema.<br \/>\n<\/span><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/LUPI-SOLITARI-Score.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>02. ROGUE ONE<br \/>\n<\/b>Uno dei teaser trailer del film Rogue One, uno spin-off della serie Star Wars uscito nel 2016, contiene un frammento musicale che interseca le celebri melodie della marcia imperiale e del tema della Forza. L&#8217;entusiasmo per l&#8217;uscita del film e per l&#8217;efficacia di questa intersezione ha spinto l&#8217;arrangiatore a sviluppare quest&#8217;idea su un vivace accompagnamento ritmico in cinque quarti, trasformando la marcia imperiale in una vigorosa linea di basso sulla quale \u00e8 esposta la melodia principale. A questo punto, il brano non poteva che prendere il nome del film, Rogue One, dove &#8220;Rogue&#8221; \u00e8 traducibile come &#8220;ribelle&#8221;, &#8220;mascalzone&#8221; o &#8220;avventuriero\u201d.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/ROGUE-ONE-Score.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>03. UPSTAIRS<br \/>\n<\/b>Upstairs \u00e8 l\u2019immagine di un non identificato \u201cqualcuno\u201d nel suo procedere lungo una scalinata.<br \/>\nIl ritmo della melodia, basato su un gioco di simmetrie tra il 5\/4 e il \u215d e la sospensione data dalle note in levare, generano il movimento da un gradino all\u2019altro, che si ripete incalzante e ciclico ogni 5 passi. In prima battuta, la direzione della marcia rimane ignota (come a trovarsi sopra delle \u2018Scale di Escher\u2019), ma lo sviluppo del brano si rivela nella qualit\u00e0 dell\u2019ascesa, accompagnandoci quindi, nella sua fase finale, alla scoperta di quel che ci aspetta al \u201cpiano superiore\u201d.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/UpStairs.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>04. FLAM<br \/>\n<\/b>Si tratta dell\u2019ultimo brano che il gruppo ha affrontato prima della registrazione, e che \u00e8 stato praticamente montato direttamente in studio. Una sfida che ha costretto i vari musicisti a mettersi al servizio della composizione, per trovare il giusto equilibrio.<br \/>\nLa prima parte descrive in modo chiaro la natura del quintetto, improntata principalmente sull\u2019aspetto ritmico e frenetico che ne \u00e8 da sempre uno dei sui pilastri fondanti. La frase del vibrafono \u00e8 in 5\/8, metro che insieme al 5\/4 \u00e8 preponderante in questo album (una chiara citazione ai 5 musicisti coinvolti nel gruppo). La seconda parte, pi\u00f9 calma e cantabile, mette in luce per\u00f2 l\u2019aspetto lirico, fatto di echi e contrappunti e che rappresenta la direzione che il quintetto ha intrapreso proprio con questo suo ultimo lavoro.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/FLAM-Score.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>05. RIFLESSO D\u2019OMBRA<br \/>\n<\/b>Riflesso d\u2019ombra \u00e8 un brano riflessivo e sognante che porta in superficie l\u2019aspetto melodico del basso. Tutte le parti tematiche vengono talvolta spezzate anche tra gli altri strumenti, ma \u00e8 il basso a mantenere sempre l\u2019identit\u00e0 completa del tema. Le armonie sono distese e basate principalmente sulle triadi, come anche il metro del brano che \u00e8 principalmente in 4\/4.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Riflesso-dombra-Score.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>06. KIM\u00c8RA<br \/>\n<\/b>Il Vamp iniziale del vibrafono, che gioca principalmente attorno all\u2019intervallo di 2a Maggiore, definisce fin da subito la sonorit\u00e0 del pezzo che si andr\u00e0 ad ascoltare. Il tema, ruota principalmente attorno all\u2019alternanza di 3 differenti metri, il 7\/8, l\u20198\/8 e il 10\/8, i quali sono una simbolica rappresentanza del mostro mitologico \u201ctriforme\u201d Chimera a cui \u00e8 ispirata questa composizione. La melodia persiste sull\u2019utilizzo dell\u2019intervallo di 2a, ma questa volta ne cambia la qualit\u00e0, che da maggiore diventa minore, cogliendo spunto dal vamp iniziale del basso che, costruito sulle note FA-DO-REb, pone l\u2019accento su questo intervallo. Kim\u00e8ra \u00e8 gi\u00e0 stato inciso nel nostro primo album del 2013, ed \u00e8 il primo pezzo che \u00e8 stato scritto per questa formazione; viene quindi riproposto a dieci anni di distanza in una veste rinnovata, come celebrazione di questo anniversario.<span class=\"Apple-converted-space\"><br \/>\n<\/span><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2023\/06\/Kime\u2560C\u0327ra-Score.pdf\" target=\"_blank\" rel=\"noopener\">&gt; PDF partitura<\/a><\/p>\n<p class=\"p1\"><b>07. Suite &#8211; Part I<br \/>\n<\/b>La Suite rappresenta sempre un\u2019esperienza di scambio e di sperimentazione. La collaborazione, questa volta, vede uno scambio artistico con Manuel Marocchi, il quale ha creato la parte &#8220;elettronica&#8221; delle composizioni, utilizzando quasi solamente parti derivate dal suonato del vibrafono, spezzettandole, modificandole fino ad ottenere l&#8217;atmosfera che si pu\u00f2 sentire nella Suite \u2013 Part I.<\/p>\n<p class=\"p1\"><b>08. Suite-Part J<br \/>\n<\/b>La Suite rappresenta sempre un\u2019esperienza di scambio e di sperimentazione. La collaborazione, questa volta, vede uno scambio artistico con Manuel Marocchi, il quale ha creato la parte &#8220;elettronica&#8221; delle composizioni, utilizzando quasi solamente parti derivate dal suonato del vibrafono, spezzettandole, modificandole fino ad ottenere l&#8217;atmosfera che si pu\u00f2 sentire nella Suite \u2013 Part J.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-0439b2a3-3f8f\"><button aria-controls=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Get the Album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Support nusica.org<\/h4>\n<p>nusica.org is a non-profit association that promotes musical culture.<br \/>\nTake part in the project with a donation of 14 euros and you will receive the CD as a gift.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction24 Flam Mirko Pedrotti Quintet A synthesis of continuous creative exploration and the energy of rhythm, both musical and vital, the search for balance within the ensemble: nusica.org presents the new project of Mirko Pedrotti&#8217;s quintet, a close-knit formation celebrating 10 years of activity with Flam. Flam is a percussion technique which consists of striking...","protected":false},"author":1,"featured_media":9741,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/9758"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=9758"}],"version-history":[{"count":6,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/9758\/revisions"}],"predecessor-version":[{"id":10109,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/9758\/revisions\/10109"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/9741"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=9758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=9758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=9758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}