{"id":7401,"date":"2020-05-14T10:23:46","date_gmt":"2020-05-14T08:23:46","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=7401"},"modified":"2025-04-03T16:37:02","modified_gmt":"2025-04-03T14:37:02","slug":"18-rust","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/18-rust\/","title":{"rendered":"18 &#8211; Rust"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo-600x602.png 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/18_rust_luca-dal-pozzo-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbf36e-0e0b\"><button aria-controls=\"content-1616143362057-71e110c9-19dbf36e-0e0b\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Presentazione<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbf36e-0e0b\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>18\u00a0Rust<\/h4>\n<p><strong>Luca Dalpozzo Quintet<\/strong><\/p>\n<ul>\n<li>Luca Dalpozzo (doublebass and compositions)<\/li>\n<li>Frank Martino (guitar and live electronics)<\/li>\n<li>Manuel Caliumi (alto sax)<\/li>\n<li>Giulio Stermieri (piano)<\/li>\n<li>Marco Frattini (drums)<\/li>\n<\/ul>\n<\/div><\/div><div class=\"w-image align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"844\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok-300x169.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok-768x432.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok-1024x576.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok-600x338.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/rust_ok-1200x675.jpg 1200w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p class=\"BodyA\">\u00c8 proprio un giovane, classe 1983, l\u2019autore del nuovo album in uscita: <b><i>Rust<\/i><\/b><b>,<\/b><b><i> <\/i><\/b>lavoro del bassista bolognese <b>Luca Dalpozzo <\/b>(contrabbasso &amp; composizioni) e il nuovo quintetto formato da<b> Frank Martino\u00a0<\/b>(chitarra &amp; live electronics)<b> Manuel Caliumi<\/b> (sax contralto)\u00a0<b>Giulio Stermieri <\/b>(pianoforte) e<b> Marco Frattini <\/b>(batteria).<b> <\/b>Un disco fluido ed energico, in cui Dalpozzo alterna scrittura rigorosa e momenti improvvisazione; gli spazi per i momenti solisti sono organizzati con grande cura; elementi di elettronica si mescolano a suoni acustici, con una grande variet\u00e0 di situazioni e di mood, un suono sempre organico e peculiare. Una ottima prova per un\u00a0bassista che, oltre a possedere un bellissimo suono, si dimostra un compositore maturo e interessante.<\/p>\n<p class=\"BodyA\"><b><i>Rust <\/i><\/b>\u00e8 un calendoscopio di ispirazioni e suggestioni diverse tra loro, organizzate con cura e scandite nei differenti <i>mood,<\/i> che arrivano da Wayne Shorter, Gyorgy Ligeti, Paul Motian. Ma soprattutto, <b><i>Rust <\/i><\/b>\u00e8 caratterizzato a importanti e suggestive <b>influenze extramusicali<\/b>: Luca Dalpozzo ci accompagna con un tuffo astratto nell\u2019<b><i>Ukiyo-e<\/i>,<\/b> la corrente artistica giapponese del XIX secolo, nella celebre <i>\u201cGrande onda di Kanagawa\u201d, <\/i>nell\u2019atmosfera fluida e sospesa delle <i>\u201cCento Vedute di Edo\u201d.<\/i><\/p>\n<p class=\"Default\"><span lang=\"RU\">&#8220;<\/span><i>Una delle principali ispirazioni extra-musicali dell&#8217;album <\/i>\u00a0&#8211;<b> racconta Luca<\/b>&#8211;<i> prende forma tra fine 2018 ed inizio 2019 con la visita alla mostra <\/i><b><i><span dir=\"RTL\" lang=\"AR-SA\">\u201c<\/span><\/i><\/b><b><i>Oltre l&#8217;Onda<\/i><\/b><b><i><span lang=\"RU\">\u201d<\/span><\/i><\/b><i> al Museo Archeologico di Bologna, dove ho potuto tuffarmi nelle opere di <b>Hokusai ed Hiroshige.<\/b> <\/i>\u00c8 proprio questa <span dir=\"RTL\" lang=\"AR-SA\">\u201c<\/span><b>raffigurazione del mondo fluttuante<\/b><span lang=\"RU\">\u201d<\/span>, l\u2019atmosfera di movimento, forza\/quiete, atemporalit<span lang=\"RU\">\u00e0<\/span>, colori ed assenza di gravit<span lang=\"RU\">\u00e0 <\/span>ad aver ispirato il disco; tema conduttore delle varie composizioni e relativi arrangiamenti, in particolare relativamente alle timbriche, ai colori modali degli accordi ed alle melodie pi\u00f9 cromatiche.<\/p>\n<p class=\"BodyA\">\u00a0Come per le altre pubblicazioni di nusica.org, le tracce di <b><i>Rust<\/i><\/b> sono liberamente accessibili online, su tutte le piattaforme streaming.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium with_line width_default thick_1 style_solid color_border align_center\"><div class=\"w-separator-h\"><\/div><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>Luca Dalpozzo \u00e8 contrabbassista, bassista elettrico, compositore nato a Bologna nel 1983. Ha studiato con grandi Maestri del contrabbasso quali Ares Tavolazzi (jazz) ed Alberto Farolfi (classica), ha approfondito la musica cubana con Jorge Reyes Hernandez a La Habana, ed ha conseguito i Diplomi Accademici di I e II livello in Musica Jazz (Contrabbasso Jazz) presso i Conservatori di Ferrara ed Adria ed il diploma in Contrabbasso classico presso il Conservatorio di Bologna.<\/p>\n<p>Attivo da diversi anni sulla scena Jazz nazionale ed europea, ha suonato in Italia ed all&#8217;estero, partecipando a numerosi Festival, Cd e rassegne con diversi artisti di fama nazionale ed internazionale, spaziando attraverso molteplici generi musicali e sfumature della musica improvvisata, dallo swing tradizionale al jazz di matrice contemporanea.<\/p>\n<p>Come co-leader, arrangiatore e compositore ha pubblicato due cd con il Paesani-Dalpozzo- Mazzucco Trio (\u201cWayne&#8217;s Playground\u201d ed \u201cImbiss\u201d con Abeat Records) che hanno ricevuto numerosi apprezzamenti da pubblico e dalla critica specializzata.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616143362099-6fc32439-7c7ef36e-0e0b\"><button aria-controls=\"content-1616143362099-6fc32439-7c7ef36e-0e0b\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362099-6fc32439-7c7ef36e-0e0b\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\">[vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGXzQ1Ti1IZEdScWMlMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html]<\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474f36e-0e0b\"><button aria-controls=\"content-1616144522879-82acdaeb-9474f36e-0e0b\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Partiture<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-9474f36e-0e0b\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>o1. Enter Ukiyo-e<br \/>\n<\/strong>Nato originariamente da uno studio sui colori modali, il brano vuole rappresentare un astratto tuffo nel &#8221;Ukiyo-e\u201d, corrente artistica giapponese del XIX secolo avente come oggetto la rappresentazione del mondo fluttuante ed ispirazione extramusicale dell&#8217;intero album.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/Enter-Ukiyo-e.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o2. Alamar<br \/>\n<\/strong>Classico odd time tune nello stile NY di fine secolo scorso con alcune influenze cubane, la melodia \u00e8 basata sull&#8217;utilizzo delle pentatoniche minori.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/AlamarLEAD.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o3. Drew a Dream<br \/>\n<\/strong>Dedicato a Drew Gress, compositore e contrabbassista di riferimento nel jazz contemporaneo. Nel brano coesistono elementi modali e tonali resi celebri dal grande Wayne Shorter, cercando un equilibrio onirico attraverso la melodia.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/Drew_a_Dreamrestyled.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o4. Gyorgy Cluster Dance<br \/>\n<\/strong>Si ricerca un armonia tra scrittura classica contemporanea e libera improvvisazione, libera interpretazione dell&#8217;uso dei cluster ispirata dal grande compositore Gyorgy Ligeti in un contesto dancehall.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/Gyorgy_Cluster_Dance.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o5. Swirl<br \/>\n<\/strong>\u00c8\u00a0un brano ispirato dallo stile compositivo del grande Paul Motian: melodia semplice e cantabile in un groviglio vorticoso ritmico collettivo, time not time.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/Swirl.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o6. Upward Drop<br \/>\n<\/strong>Lenta ballata che vuole rappresentare una \u201ccaduta ascendente\u201d, una cascata di colori armonici e cromatismi melodici.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/UpwardDropLEAD.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<p><strong>o7. Blues For Larry (going ballistic)<br \/>\n<\/strong>Basato su uno studio sulla sovra-imposizione ritmica di una cellula di 5\/8 su 4\/4 e sulla riarmonizzazione del Blues minore, \u00e8 un brano semplice concepito per un contesto live, tema ed improvvisazione su chorus. Dedicato al caro amico e pianista Lorenzo Paesani.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/05\/Blues_for_Larry.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF partitura<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1617116612139-89dba733-10cd\"><button aria-controls=\"content-1617116612139-89dba733-10cd\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Recensioni<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1617116612139-89dba733-10cd\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-4513\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" 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el_class=&#8221;bottonedonacd&#8221;]JTNDZm9ybSUyMGFjdGlvbiUzRCUyMmh0dHBzJTNBJTJGJTJGd3d3LnBheXBhbC5jb20lMkZkb25hdGUlMjIlMjBtZXRob2QlM0QlMjJwb3N0JTIyJTIwdGFyZ2V0JTNEJTIyX3RvcCUyMiUzRSUwQSUzQ2lucHV0JTIwdHlwZSUzRCUyMmhpZGRlbiUyMiUyMG5hbWUlM0QlMjJob3N0ZWRfYnV0dG9uX2lkJTIyJTIwdmFsdWUlM0QlMjJHNFlXVE5LMlM1TU1KJTIyJTIwJTJGJTNFJTBBJTNDaW5wdXQlMjB0eXBlJTNEJTIyaW1hZ2UlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRmxueC5nZXN0aW9uZW5ld3MuY29tJTJGbnVzaWNhMjAyMSUyRndwLWNvbnRlbnQlMkZ1cGxvYWRzJTJGMjAyMSUyRjA0JTJGZG9uYS1udXNpY2EtcHAucG5nJTIyJTIwYm9yZGVyJTNEJTIyMCUyMiUyMG5hbWUlM0QlMjJzdWJtaXQlMjIlMjB0aXRsZSUzRCUyMlBheVBhbCUyMC0lMjBUaGUlMjBzYWZlciUyQyUyMGVhc2llciUyMHdheSUyMHRvJTIwcGF5JTIwb25saW5lJTIxJTIyJTIwYWx0JTNEJTIyRG9uYXRlJTIwd2l0aCUyMFBheVBhbCUyMGJ1dHRvbiUyMiUyMCUyRiUzRSUwQSUzQ2ltZyUyMGFsdCUzRCUyMiUyMiUyMGJvcmRlciUzRCUyMjAlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy5wYXlwYWwuY29tJTJGaXRfSVQlMkZpJTJGc2NyJTJGcGl4ZWwuZ2lmJTIyJTIwd2lkdGglM0QlMjIxJTIyJTIwaGVpZ2h0JTNEJTIyMSUyMiUyMCUyRiUzRSUwQSUzQyUyRmZvcm0lM0UlMEE=[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Presentazione18\u00a0Rust Luca Dalpozzo Quintet Luca Dalpozzo (doublebass and compositions) Frank Martino (guitar and live electronics) Manuel Caliumi (alto sax) Giulio Stermieri (piano) Marco Frattini (drums) \u00c8 proprio un giovane, classe 1983, l\u2019autore del nuovo album in uscita: Rust, lavoro del bassista bolognese Luca Dalpozzo (contrabbasso &amp; composizioni) e il nuovo quintetto formato da Frank Martino\u00a0(chitarra...","protected":false},"author":1,"featured_media":8432,"parent":5647,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"tags":[50],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7401"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=7401"}],"version-history":[{"count":29,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7401\/revisions"}],"predecessor-version":[{"id":10944,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7401\/revisions\/10944"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/5647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/8432"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=7401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=7401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=7401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}