{"id":7269,"date":"2020-03-18T09:13:31","date_gmt":"2020-03-18T08:13:31","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=7269"},"modified":"2024-01-27T16:33:12","modified_gmt":"2024-01-27T15:33:12","slug":"17-vortex","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/17-vortex\/?lang=en","title":{"rendered":"17 &#8211; Vortex"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et-768x771.png 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/17_vortex_itaca-4et-600x602.png 600w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19db8498-9ca9\"><button aria-controls=\"content-1616143362057-71e110c9-19db8498-9ca9\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19db8498-9ca9\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>17\u00a0Vortex<\/h4>\n<p><strong>ITACA 4et<\/strong><\/p>\n<ul>\n<li>Fran\u00e7ois Houle (clarinet)<\/li>\n<li>Nicola Fazzini (alto sax)<\/li>\n<li>Alessandro Fedrigo (bass guitar)<\/li>\n<li>Nick Fraser (drums)<\/li>\n<\/ul>\n<\/div><\/div><div class=\"w-image align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1000\" height=\"667\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019.jpg 1000w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019-300x200.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019-768x512.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2017\/11\/xy_quartet_2019-600x400.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>The cd \u201cVortex\u201d has been released on March 18th 2020 for Nusica.org, and documents the artistic activity of\u00a0 ITACA 4set, \u00a0the new formation born from the transatlantic collaboration between four estimated artists of the international scene of avant-jazz and improvised music.<\/p>\n<p>Two CAnadian musicians, Francois Houle and Nick Fraser and two ITAlian Nicola Fazzini and Alessandro Fedrigo. (here where the name of the band is from).<\/p>\n<p>The Vortex album was recorded in Vancuver in July 2019 and the end of a Canadian tour which saw the four protagonists playing at the different festivals in Vancouver, Toronto and Ottawa. Each member of the band signed two of the eight compositions present in the cd testimony of a democratic modus operandi, which reflects the balance of the ensemble even from the musical point of view, there where the collective and choral sound prevails over the the soloist one.<\/p>\n<p>The music of\u00a0 Itaca 4et\u2019s is dynamic, highly rhythmic and rich of improvisational chances.<\/p>\n<p>This project is the result of a collaboration that dates back to 2016 (thanks to a residency at Novara Jazz and Sile Jazz) continues with two Canadian tours (in 2017 and in 2019 \u00a0when they performed\u00a0 at Toronto Jazz Festival, Ottawa Jazz Festival and Vancouver Jazz Festival) and materializes \u00a0in a first Italian and European tour in 2020.<\/p>\n<p>A close-knit, harmonious, unpredictable and original band, a project to discover that has been achieved also thanks to a partnership with the Institute of Culture of Toronto and the Council of Arts of Canada.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616143362099-6fc32439-7c7e8498-9ca9\"><button aria-controls=\"content-1616143362099-6fc32439-7c7e8498-9ca9\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362099-6fc32439-7c7e8498-9ca9\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\">[vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI1NjAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRnd3dy55b3V0dWJlLmNvbSUyRmVtYmVkJTJGMF9RZUhRVXg1WUElMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvdyUzRCUyMmFjY2VsZXJvbWV0ZXIlM0IlMjBhdXRvcGxheSUzQiUyMGVuY3J5cHRlZC1tZWRpYSUzQiUyMGd5cm9zY29wZSUzQiUyMHBpY3R1cmUtaW4tcGljdHVyZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html]<\/div><\/div><\/div><div class=\"w-tabs-section\" 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href=\"https:\/\/www.timmusic.it\/album\/74597598\" target=\"_blank\" rel=\"noopener\">Listen on <strong>Google Play<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-1150\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-1150 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a style=\"line-height: 1.5;\" href=\"https:\/\/www.timmusic.it\/album\/74597598\" target=\"_blank\" rel=\"noopener\">Listen on\u00a0<strong>YouTube Music<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-94748498-9ca9\"><button aria-controls=\"content-1616144522879-82acdaeb-94748498-9ca9\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-94748498-9ca9\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>o1. Sketch 26 (N. Fraser)<br \/>\n<\/strong>This piece is a call to action. A short burst of energy meant to inspire the musicians playing it to brief improvisational heights. In this recording, Francois and Nicola engage in some musical gamesmanship before stating the material explicitly. Alessandro and I join, and the collective improvisation continues until the composition is re-stated. The piece was inspired by material that was improvised by my quartet at a concert in Antigonish, Nova Scotia in 2014.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/Sketch-26.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o2. Saturno (A. Fedrigo)<br \/>\n<\/strong>This composition is dedicated to the planet Saturno, a planet that has these special rings around.<br \/>\nThe idea of the A section is based on the &#8220;rings concept&#8221; infact the bass line is a spiral around the note B (and F), the melody is a simple chromatic line harmonized with the flat five. The B section is &#8220;the planet itself&#8221; the two notes B and F (the center of the spiral).<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/Saturno-C.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o3. Vortex (N. Fazzini)<br \/>\n<\/strong>The title represents the melodic and rhythmic contour in its composition, alternating a binary part to a more dilated one in 5\/8 with a theme that uses minor and major second (s) in a sinuous motion.<br \/>\nThe track has also been played for the first time in London at the well-know Vortex Jazz Club, which has been for years a reference point of the European avant-garde jazz.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/Vortex-score-Score.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o4. Chorale (F. Houle)<br \/>\n<\/strong>Chorale is a simple melody which freely paraphrases John Coltrane\u2019s A Love Supreme.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/Choral_ITACA-Version-Transposed-ScoreTransposed-Score.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o5. Calanques (N. Fazzini)<br \/>\n<\/strong>The Composition, born and inspired by the suggestive and evocative beauty of the Calanques in Cot\u00e8 Azur, is structured in a tri-partite way with movements different from each other for feeling and rhythmic contour, as if it symbolizes the combination of the diverse magnificent elements of Nature.<br \/>\nTrait-d\u2019union of the track is the eptaphonic scale made up of an esatonal scale with the addition of two chromaticism, featuring every melodic and harmonic aspect of the composition.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/calanques.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o6. The Third Murder (F. Houle)<br \/>\n<\/strong>I few years ago I began writing a series of short tunes based on each chapters of Dashiell Hammett\u2019s The Maltese Falcon. The Third Murder is chapter 16, where a man delivers a mysterious parcell to Sam Spade\u2019s detective office, only to collapse dead from having been poisoned.<br \/>\nthe tune describe ensuing car chases, gun shots, and police sirens, all features of film noir impressions I remember from seeing Humphrey Bogart\u2019s classic performance on the silver screen.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/XVI-The-Third-Murder_Itaca-Full-Score.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o7. Rakesh (A. Fedrigo)<br \/>\n<\/strong>Rakesh Sharma was the first Indian cosmonaut and the first to practice yoga in space. This composition is a sort of meditation based on a series of 12 notes, built on intervals of major thirds and perfect fourths. A way to combine math and spirituality, like yoga\u2019s deep breathing techniques.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2020\/03\/Rakesh-As_Cl-SCORE.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-04398498-9ca9\"><button aria-controls=\"content-1616144535650-1b74593a-04398498-9ca9\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Receive the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-04398498-9ca9\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Support nusica.org<\/h4>\n<p>nusica.org is a non-profit association that promotes musical culture.<br \/>\nTake part in the project with a donation of 14 euros and you will receive the CD as a gift.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction17\u00a0Vortex ITACA 4et Fran\u00e7ois Houle (clarinet) Nicola Fazzini (alto sax) Alessandro Fedrigo (bass guitar) Nick Fraser (drums) The cd \u201cVortex\u201d has been released on March 18th 2020 for Nusica.org, and documents the artistic activity of\u00a0 ITACA 4set, \u00a0the new formation born from the transatlantic collaboration between four estimated artists of the international scene of avant-jazz...","protected":false},"author":1,"featured_media":8437,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7269"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=7269"}],"version-history":[{"count":13,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7269\/revisions"}],"predecessor-version":[{"id":10102,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/7269\/revisions\/10102"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/8437"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=7269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=7269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=7269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}