{"id":6766,"date":"2019-02-14T17:10:41","date_gmt":"2019-02-14T16:10:41","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=6766"},"modified":"2024-01-27T16:32:05","modified_gmt":"2024-01-27T15:32:05","slug":"15-durch","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/15-durch\/?lang=en","title":{"rendered":"15 &#8211; Durch"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch-600x602.png 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/15_durch-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19db0e65-d529\"><button aria-controls=\"content-1616143362057-71e110c9-19db0e65-d529\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19db0e65-d529\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>15\u00a0Durch<\/h4>\n<p><strong>MIRKO PEDROTTI QUINTET<\/strong><\/p>\n<ul>\n<li>Mirko Pedrotti\u00a0(vibraphone)<\/li>\n<li>Lorenzo Sighel\u00a0(alto sax &amp; soprano sax, voice)<\/li>\n<li>Luca Olzer\u00a0(rhodes, piano &amp; synthesizers)<\/li>\n<li>Michele Bazzanella\u00a0(bass)<\/li>\n<li>Matteo Giordani\u00a0(drums)<\/li>\n<\/ul>\n<\/div><\/div><div class=\"w-image align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"2000\" height=\"1049\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1.jpg 2000w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1-300x157.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1-768x403.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1-1024x537.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1-600x315.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/MoniQue-foto-MPQ-1-1200x629.jpg 1200w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>Durch, which means &#8220;through&#8221;, the album is by the Mirko Pedrotti Quintet (MPQ), a group from the Trentino region of Italy, with Mirko Pedrotti, Lorenzo Sighel, Luca Olzer, Michele Bazzanella and Matteo Giordani, with the cooperation of Valerio De Paola on guitar and Lorenzo Frizzera on guitar.<br \/>\nThe tile represents the value of different artistic paths, in juxtaposition with the idea of border: to inspire the entire album, and the three compositions &#8220;Durch&#8221;, &#8220;Frontiera&#8221;, and &#8220;Frenetique&#8221;, is World War I and the recent tensions linked to the closing of the Brennero border. The metaphor of space and time crossing is reflected in the current events and history, where the disappeared demarcation and frontier lines are emerging again like a nightmare.<br \/>\nLike the German preposition&#8217;s meaning, the band goes through different musical styles, from jazz to classical, from minimalism to progressive, giving life to a compositional force full of consistency and originality. Every member&#8217;s contributions bring different narratives: creativity with timbre, brilliance and evocative qualities of the vibraphone and sax meet the darker and full-bodied hues of the Fender Rhodes, bass and drums, which articulate frequent meter and rhythm changes.<br \/>\nWith a multifaceted approach, Durch writes in the MPQ&#8217;s history a rite of passage to maturity, marking with originality a young promise of the jazz and Italian musical landscape.<\/p>\n<p>The MPQ formed in 2013 and it is led by vibraphonist and eclectic composer Mirko Pedrotti. He ranges over classical and modern music with the cooperation of Lorenzo Sighel on alto sax, Luca Olzer on Rhodes and synth, Michele Bazzanella on bass and Matteo Giordani on drums. These musicians have accompanied him in the previous two recordings and the artistic process.<br \/>\nLending an extra hand are Valerio De Paola on guitar and euphonium and Lorenzo Frizzera on guitar. They made contributions on the executive level and with the writing and realization of the last two tracks, Suite-part G and Suite-part H. The piece Rendered is composed by English guitarist C. Montague, who has been a collaborator for several years. Ananda and Igor\u00eds Dance are compositions penned by L. Olzer and L. Sighel.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616143362099-6fc32439-7c7e0e65-d529\"><button aria-controls=\"content-1616143362099-6fc32439-7c7e0e65-d529\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362099-6fc32439-7c7e0e65-d529\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/z0rxfqD5WdY?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-28120e65-d529\"><button 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data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/bit.ly\/2S9f90R\" target=\"_blank\" rel=\"noopener\">Listen on <strong>Google Play<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-7525\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-7525 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/bit.ly\/2SY5ZsI\" target=\"_blank\" rel=\"noopener\">Listen on <strong>TimMusic<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-94740e65-d529\"><button aria-controls=\"content-1616144522879-82acdaeb-94740e65-d529\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-94740e65-d529\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>o1 Frenetique<\/strong><br \/>\nA composition in three sections, based on as many \u201criffs\u201d, that describes an emotional state that goes from stubbornness, to tension, to the ultimate surrender of the latter. The piece is part of a trilogy together with Durch and Frontiera and it is inspired by World War I and the tensions stemming from the idea of possibly closing the Brennero border.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/01-FRENETIQUE-OK-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o2 Ananda<\/strong><br \/>\nAnanda, other than being the Sanskrit term with many meanings, it also the name of Buddha\u2019s cousin, Siddhartha. It is said that he did not reach enlightenment while the Saint was alive, so it\u2019s easy to imagine him asking the Master about this. Buddha at that point couldn\u2019t do anything but look at him and tell him that just being near the light is not enough to become light. The theme of transformation is in the melody, which developed from an atonal scale of Arabic flavor and is accompanied by a chord progression that refers to both western and ethnic worlds. The joining of western and Arabic elements is a wishful nod at a positive encounter of different cultures.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/02-Ananda-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o3\u00a0Rendered <\/strong><br \/>\nThis piece started out as a pencil scribble onto manuscript paper which was done on the walls of the recently re-opened museum of Jimi Hendrix\u2019s old flat in London. I\u2019m a huge Jimi fan so this was a great opportunity for me. I interpreted the notes which fell onto the page and this was how the piece came out. I don\u2019t think it has any similarities with Hendrix\u2019s music but I really liked the feel of this piece which I have now performed with a few different line up. I like the arbitrary nature of how I wrote this which constrained me into making fewer decisions. I love this version which MPQ have so kindly recorded, they capture its spirit intact.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/03-RENDERED-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o4 Igor\u2019s Dance<\/strong><br \/>\nIgor\u2019s dance is born from alternating ternary and binary rhythmic figures. In the first part, the melody is just a reworking of a piece of \u201cPrince Igor\u201d by Alexander Borodin. The inspiration comes from how Warren G adapted this work in the 90\u2019s. In the second part, the piece develops a new melodic statement inspired by \u201chit dances\u201d popular in the 90\u2019s. From this encounter the title \u201cIgor\u2019s Dance\u201d is born, which also represents a somewhat ironic encounter between \u201chigh-culture\u201d and \u201cpopular\u201d music.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/04-Igors-Dance-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o5 Frontiera<\/strong><br \/>\nThe first part of the piece has an almost \u201cliturgical\u201d flavor, where the soprano sax and Rhodes cadences, based on four notes, create a kind of response to the theme that comes before. Here too, the idea of stubbornness is presented in the middle part by the bass and Rhodes. The harmonic progression, open and relaxed at first, it\u2019s compressed abruptly after the synth solo and used for the vibes solo. Returning to the original theme conveys a sense of circularity to the piece and metaphorically describes the failed attempt to cross the border.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/05-Frontiera-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o6 Seagull<\/strong><br \/>\nThe initial vamp played by the vibraphone comes from a \u201cSuite\u201d out of the previous record \u201cMPQ\u201d. It is a tune that serves a junction between the two works. The sax solo goes along the vocal freestyle, in a fusion-and-emersion game. The cluster played by the vibraphone is the \u201cpoking\u201d element in an otherwise calm atmosphere.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/06-SEAGULL-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o7 Durch<\/strong><br \/>\nThe theme in Durch is based on the note \u201cA\u201d to almost indicate a direction or a possible way. The note is harmonized the second time through the theme by the vibes, Rhodes and alto sax, to point out the diversity\/originality within the same common denominator. In the central part a 5\/8 polyrhythm is developed over which, after the drum solo, two separate lines are developed. These two chase after each other to land on the initial vamp, which is more relaxed this time around.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2019\/02\/07-Durch-OK.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>o8 Suite-Part G<\/strong><br \/>\nThe Suite represents an experience of exchange and experimentation. Embracing this spirit, ten fragments played by the vibes were sent to Valerio De Paola. The fragments were played with different articulations, timber and even some noise. A few guidelines were given, but allowing for a lot of freedom. The result is Suite-part G.<\/p>\n<p><strong>o9 Suite-Part H<\/strong><br \/>\nThe Suite represents an experience of exchange and experimentation. Embracing this spirit, ten fragments played by the vibes were sent to Lorenzo Frizzera. The fragments were played with different articulations, timber and even some noise. A few guidelines were given, but allowing for a lot of freedom. The result is Suite-part G.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-04390e65-d529\"><button aria-controls=\"content-1616144535650-1b74593a-04390e65-d529\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Receive the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-04390e65-d529\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Sostieni nusica.org<\/h4>\n<p>nusica.org is a non-profit association that promotes musical culture.<br \/>\nTake part in the project with a donation of 14 euros and you will receive the CD as a gift.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction15\u00a0Durch MIRKO PEDROTTI QUINTET Mirko Pedrotti\u00a0(vibraphone) Lorenzo Sighel\u00a0(alto sax &amp; soprano sax, voice) Luca Olzer\u00a0(rhodes, piano &amp; synthesizers) Michele Bazzanella\u00a0(bass) Matteo Giordani\u00a0(drums) Durch, which means &#8220;through&#8221;, the album is by the Mirko Pedrotti Quintet (MPQ), a group from the Trentino region of Italy, with Mirko Pedrotti, Lorenzo Sighel, Luca Olzer, Michele Bazzanella and Matteo Giordani,...","protected":false},"author":1,"featured_media":8474,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6766"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=6766"}],"version-history":[{"count":15,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6766\/revisions"}],"predecessor-version":[{"id":10100,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6766\/revisions\/10100"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/8474"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=6766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=6766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=6766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}