{"id":6356,"date":"2018-04-12T16:26:03","date_gmt":"2018-04-12T14:26:03","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=6356"},"modified":"2024-01-27T16:30:39","modified_gmt":"2024-01-27T15:30:39","slug":"13-secondo-solitario","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/13-secondo-solitario\/?lang=en","title":{"rendered":"13 &#8211; Secondo Solitario"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario-600x602.png 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/13_secondo-solitario-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19db8498-9ca9b005-5c0a\"><button aria-controls=\"content-1616143362057-71e110c9-19db8498-9ca9b005-5c0a\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19db8498-9ca9b005-5c0a\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>13 Secondo Solitario<\/h4>\n<p><strong>Alessandro Fedrigo<\/strong><\/p>\n<ul>\n<li>Alessandro Fedrigo (acoustic bass guitar)<\/li>\n<\/ul>\n<p>There are a lot of differences from his first solo album, released in 2011.<br \/>\nPersonal inspirations, research for a unique sound and a private setting, were essential to create original pieces that recall and allude at everyday life and the morning calm.<\/p>\n<p>Playing alone is a bit unconventional for a bass player, since generally the bass is an accompanying instrument. This setting has allowed Fedrigo to explore new territories, entering a space free from contaminations.<\/p>\n<p>With a clear link to the first record, Fedrigo explores the worlds of writers, Murakami and Verne, reinterprets pieces played with the XYQuartet and Hyper+ and finishes with two free improvisations.<\/p>\n<p>\u201cSecondo Solitario\u201d stems from \u201cSolitario\u201d, where the jazz standards leave for original compositions, which together with a zen approach and the acoustic sound with no effects identify Fedrigo\u2019s modus operandi.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616143362099-6fc32439-7c7e8498-9ca9b005-5c0a\"><button aria-controls=\"content-1616143362099-6fc32439-7c7e8498-9ca9b005-5c0a\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362099-6fc32439-7c7e8498-9ca9b005-5c0a\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/HG25J8MX7t4?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><div class=\"w-separator size_medium with_line width_default thick_1 style_solid color_border align_center\"><div class=\"w-separator-h\"><\/div><\/div><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/_ab0I5NnMtg?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><div class=\"w-separator size_medium with_line width_default thick_1 style_solid color_border align_center\"><div class=\"w-separator-h\"><\/div><\/div><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/7oWe2xvTq_c?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-28128498-9ca9b005-5c0a\"><button aria-controls=\"content-1616144214346-b861b3ca-28128498-9ca9b005-5c0a\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Listen to<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-28128498-9ca9b005-5c0a\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div 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<strong>TimMusic<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-3908\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-3908 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/play.google.com\/store\/music\/album\/Alessandro_Fedrigo_Secondo_solitario?id=Bqcbgfuooff6idx4i32vtq7xn3u&amp;hl=it\" target=\"_blank\" rel=\"noopener\">Listen on <strong>Google Play<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-3933\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-3933 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a style=\"line-height: 1.5;\" href=\"https:\/\/www.timmusic.it\/album\/74597598\" target=\"_blank\" rel=\"noopener\">Listen on\u00a0<strong>YouTube Music<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-94748498-9ca9b005-5c0a\"><button aria-controls=\"content-1616144522879-82acdaeb-94748498-9ca9b005-5c0a\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-94748498-9ca9b005-5c0a\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Nel Vuoto<\/strong><br \/>\nA short composition that explores the use of the bow on the acoustic bass and only with open strings. The idea is to intertwine sounds and noises both in the written and improvised parts.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Nel-Vuoto-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Marziana<\/strong><br \/>\nDedicated to my wife. Two starting notes (Ab and Db) follow a constant path (the interval of a fourth) and generate polyphonies which become the main theme. The improvisation develops over traditional harmonies suggested by the notes of the theme.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Marziana-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Fetita<\/strong><br \/>\nDedicated to my daughter. A piece that plays around the tonality of A, but ever evolving, from major to minor, Phrygian, octatonic. The atmosphere that are evoked can be playful, creepy or sad, depending on the moment, but always changing.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Fetita-A.Fedrigo-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Hypersteps<\/strong><br \/>\nThis piece is by Nicola Fazzini and it revisits the harmonic structure of Giant Steps but every chord has a different duration, the cycle is 2 3 4 5 6 5 4 3: asymmetrical compared to the harmonic structure. Interesting and difficult to master.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Hypersteps-N.Fazzini.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Futuritmi<\/strong><br \/>\nThis composition was written for the XY Quartet and the meter changes basically every bar. I wanted to arrange it for solo bass and it has a rhythmic structure particularly compelling to improvise on.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Futuritmi-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Obscurio<\/strong><br \/>\nThis composition plays around with spiraling movements and intervallic sequences that expand and contract. A new and original sonic space to explore.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Obscurio-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Nautilus<\/strong><br \/>\nDedicated to Jules Verne. Two hexachords are used in the improvisation and they generate a twelve-tone row that produces a theme that is rigorous and restless, bizarre and full of dissonances.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Nautilus-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Hans<\/strong><br \/>\nA twelve-tone row generated by two intervals (minor second and fourth) produces a theme of bichords full of dissonances. During the improvisation, the intervals widen by a half step, to a major second and a tritone, and this suggested me a cycle of hexachords.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Hans-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<p><strong>Due Lune<\/strong><br \/>\nDedicated to Haruki Murakami. Over an open D pedal, a sequence of fourths produces a very simple and alienating theme. The improvisation is a small dedication to Olivier Messiaen\u2019s third mode.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2018\/04\/Due-Lune-A.Fedrigo.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-04398498-9ca9b005-5c0a\"><button aria-controls=\"content-1616144535650-1b74593a-04398498-9ca9b005-5c0a\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Receive the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-04398498-9ca9b005-5c0a\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Support nusica.org<\/h4>\n<p>nusica.org is a non-profit association that promotes musical culture.<br \/>\nTake part in the project with a donation of 14 euros and you will receive the CD as a gift.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction13 Secondo Solitario Alessandro Fedrigo Alessandro Fedrigo (acoustic bass guitar) There are a lot of differences from his first solo album, released in 2011. Personal inspirations, research for a unique sound and a private setting, were essential to create original pieces that recall and allude at everyday life and the morning calm. Playing alone is...","protected":false},"author":1,"featured_media":8470,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6356"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=6356"}],"version-history":[{"count":16,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6356\/revisions"}],"predecessor-version":[{"id":10098,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6356\/revisions\/10098"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/8470"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=6356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=6356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=6356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}