{"id":6177,"date":"2017-11-23T16:02:11","date_gmt":"2017-11-23T15:02:11","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=6177"},"modified":"2024-01-27T16:22:53","modified_gmt":"2024-01-27T15:22:53","slug":"o5-xyquartet","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/o5-xyquartet\/?lang=en","title":{"rendered":"05 &#8211; XY"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy-600x602.png 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2021\/03\/05_xy-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19db8498-9ca9c9c4-ebe5\"><button aria-controls=\"content-1616143362057-71e110c9-19db8498-9ca9c9c4-ebe5\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19db8498-9ca9c9c4-ebe5\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>05 XYQuartet<\/h4>\n<p><strong>XYQUARTET<\/strong><\/p>\n<ul>\n<li>Nicola Fazzini (alto sax)<\/li>\n<li>Alessandro Fedrigo (acoustic bass guitar)<\/li>\n<li>Saverio Tasca (vibraphone)<\/li>\n<li>Luca Colussi (drums)<\/li>\n<\/ul>\n<p>\u00abOne of the most peculiar Italian jazz groups of our time\u00bb<br \/>\n<strong>Stefano Merighi, Centro d&#8217;Arte in\u00a0Padua<\/strong><\/p>\n<p>\u00abOnce you get into\u00a0<em>&#8220;XY&#8221;<\/em>&#8216;s game, you&#8217;ll be fascinated by it. Excellent\u00bb<br \/>\n<strong>Enrico Bettinello, <em>Il Giornale della Musica<\/em>, May\u00a02014<\/strong><\/p>\n<p><strong>SECOND &#8220;BEST GROUP&#8221;<\/strong><br \/>\n<strong>One of the TEN &#8220;BEST ALBUM&#8221; of the year<\/strong><br \/>\n<strong>TOP JAZZ 2014 &#8211; MUSICA JAZZ magazine <\/strong><\/p>\n<p><strong>Born in 2011 from the urge to research a new compositional sense, XYQuartet is a beyond-jazz project, which includes elements from different kinds of music and artistic languages while keeping the distance from all of them.<\/strong><\/p>\n<p>The group&#8217;s style is a fusion of saxophonist Nicola Fazzini and bass player Alessandro Fedrigo complementary artistic identities. They create an original, exciting and innovative music with Saverio Tasca at the vibraphone and Luca Colussi at the drums.<\/p>\n<p>The &#8220;X&#8221; by Fazzini and the &#8220;Y&#8221; by Fedrigo represent two approaches, two twists, two ideas but also two instruments, like the alto sax and the acoustic bass guitar. Their roles are also different: Fazzini is the &#8216;chemist&#8217; and Fedrigo is the &#8216;technologist&#8217;. Together they&#8217;re the &#8216;double F&#8217; of the title &#8220;Idea F&#8221;, their first album released by Italian label nusica.org. The cd has been awarded one of the best 100 albums of 2012 by JAZZiT Magazine and was positively received by the critic, allowing the quartet to play in prestigious clubs and festivals. &#8220;Idea F&#8221; introduced some techniques of the 20th century Contemporary Music to jazz music but reworked them finally offering a new genre.<\/p>\n<p>&#8220;XY&#8221;, the homonymous album, has been realized on May 2014 thanks to a crowd-funding campaign. Recently it has been defined one of the ten italian cd of the year by \u201cMusica Jazz\u201d magazine and XYQuartet has been awarded as second \u201cbest group\u201d.<\/p>\n<p>In this new album the two leaders and composers develop their concept further: Fazzini pulls together small groups of notes to create new &#8216;global forms&#8217; and &#8216;sets&#8217;, while Fedrigo focuses on using intervals and spiral-forms, which he transforms into narrative architectures. Each instrument complicates the construction of the pieces facing with complex rhythms.<br \/>\nXY believes in &#8216;open content philosophy&#8217; and makes both music and scores available on nusica.org website; this feature expresses and supports the constant &#8216;work in progress&#8217; of the band.<\/p>\n<p>To conclude, XY&#8217;s restructuring of the music form goes through the creation of the beyond-jazz.<\/p>\n<p class=\"verde\"><strong>About &#8220;XYquartet&#8221;:<\/strong><\/p>\n<p>&#8220;Un lavoro molto complesso che ha veramente come obiettivo la ricerca di nuovi stilemi espressivi. Ottima cosa. Complimenti a tutti.&#8221;<br \/>\n(Mario Evangelista &#8211; musicologo)<\/p>\n<p>&#8220;Mi sembra che sperimentazione e &#8220;struttura&#8221; siano ottimamente armonizzate: una delle cose migliori che, in assoluto, ultimamente mi sia capitato di ascoltare!&#8221;<br \/>\n(Vincenzo Giorgio &#8211; critico musicale)<\/p>\n<p>&#8220;Ho apprezzato la coerenza stilistica, il rigore compositivo, la coesione del quartetto e, pi\u00f9 in generale, la filosofia dell&#8217;intero progetto. Complimenti, gran bel disco.&#8221;<br \/>\n(Paolo Battifora &#8211; critico musicale del Secolo XIX)<\/p>\n<p>&#8220;Una scelta artistica tra le pi\u00f9 stimolanti per interpretare la contemporaneit\u00e0: non solo jazz, ma anche&#8230;.. complimenti!&#8221; (Alessandro Baroni &#8211; critico musicale)<\/p>\n<p>\u201capprezzo molto il rigore e l&#8217;intransigenza della ricerca e delle composizioni . ho apprezzato in particolare brani ritmicamente pi\u00f9 dinamici dove la sintesi con il feeling pi\u00f9 profondo del jazz \u00e8 maggiore. Comunque complimenti per non voler seguire le mode. Mi ricorda alcune cose di Karl Berger ma \u00e8 solo un&#8217;impressione.\u201d (Angelo Leonardi \u2013 critico musicale)<\/p>\n<p>\u201cvalidissima la proposta realizzata\u00a0ed elevato il livello interpretativo e compositivo di tutti voi\u201d (Gianmichele Taormina \u2013 critico musicale)<\/p>\n<p>\u201cSiete un buonissimo gruppo e vi auguro di continuare nella vostra ricerca fino a raggiungere una piena identit\u00e0 originale. Per il momento si sentono molto le varie influenze che ciascuno di voi ha coltivato, ma \u00e8 il normale processo di crescita. Tra l&#8217;altro la possibilit\u00e0 che date ad ogni appassionato di ascoltare e scaricare la vostra musica vi mette su un piano completamente diverso rispetto agli altri. Inutile dire che chiunque minimamente dentro alla tecnologia pu\u00f2 scaricare qualsiasi album di qualsiasi musicista, quindi la vostra iniziativa \u00e8 ancor pi\u00f9 &#8220;avanti&#8221; e generosa nei confronti degli appassionati.\u201d<\/p>\n<p>(Roberto Dell\u2019Ava \u2013 appassionato e critico &#8211; Tracce di Jazz)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616143362099-6fc32439-7c7e8498-9ca9c9c4-ebe5\"><button aria-controls=\"content-1616143362099-6fc32439-7c7e8498-9ca9c9c4-ebe5\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362099-6fc32439-7c7e8498-9ca9c9c4-ebe5\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe 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class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-1613 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a style=\"line-height: 1.5;\" href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_nZs7oegBCTTlPbYAaHTOJ5_KwQhcbpFm8\" target=\"_blank\" rel=\"noopener\">Listen on\u00a0<strong>YouTube Music<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-94748498-9ca9c9c4-ebe5\"><button aria-controls=\"content-1616144522879-82acdaeb-94748498-9ca9c9c4-ebe5\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-94748498-9ca9c9c4-ebe5\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>o1 Spazio Angusto (N. Fazzini)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o1%20Spazio%20Angusto%20(N.Fazzini).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o2 Astronautilo (A. Fedrigo)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o2%20Astronautilo%20(A.Fedrigo).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o3 H2O (N. Fazzini) <\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o3%20H2O%20(N.Fazzini).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o4 Cancellazioni (A. Fedrigo)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o4%20Cancellazioni%20(A.Fedrigo).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o5 Jon Futuru (A. Fedrigo)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o5%20Jon%20Futuru%20(A.Fedrigo).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o6 Doppio Sogno (N. Fazzini)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o6%20Doppio%20Sogno%20(N.Fazzini).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o7 Tatami (N. Fazzini) <\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o7%20Tatami%20(N.Fazzini).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<p><strong>o8 Futuritmi (A. Fedrigo)<\/strong><br \/>\n<a href=\"https:\/\/www.nusica.org\/partiture\/05\/o8%20Futuritmi%20(A.Fedrigo).pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; PDF score<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-04398498-9ca9c9c4-ebe5\"><button aria-controls=\"content-1616144535650-1b74593a-04398498-9ca9c9c4-ebe5\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Receive the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-04398498-9ca9c9c4-ebe5\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Support nusica.org<\/h4>\n<p>nusica.org is a non-profit association that promotes musical culture.<br \/>\nTake part in the project with a donation of 14 euros and you will receive the CD as a gift.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction05 XYQuartet XYQUARTET Nicola Fazzini (alto sax) Alessandro Fedrigo (acoustic bass guitar) Saverio Tasca (vibraphone) Luca Colussi (drums) \u00abOne of the most peculiar Italian jazz groups of our time\u00bb Stefano Merighi, Centro d&#8217;Arte in\u00a0Padua \u00abOnce you get into\u00a0&#8220;XY&#8221;&#8216;s game, you&#8217;ll be fascinated by it. Excellent\u00bb Enrico Bettinello, Il Giornale della Musica, May\u00a02014 SECOND &#8220;BEST GROUP&#8221;...","protected":false},"author":1,"featured_media":8454,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6177"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=6177"}],"version-history":[{"count":12,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6177\/revisions"}],"predecessor-version":[{"id":10090,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6177\/revisions\/10090"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/8454"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=6177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=6177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=6177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}