{"id":11728,"date":"2026-09-16T18:21:05","date_gmt":"2026-09-16T16:21:05","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=11728"},"modified":"2026-09-16T18:48:59","modified_gmt":"2026-09-16T16:48:59","slug":"43-herbarium-sonorum","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/43-herbarium-sonorum\/?lang=en","title":{"rendered":"43 &#8211; Herbarium Sonorum"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1200\" height=\"1200\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_.jpg 1200w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_-300x300.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_-1024x1024.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_-150x150.jpg 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/43-nusica_Album_Fazzini_Maier.ai_-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbb2a3-3f8f\"><button aria-controls=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>43 Herbarium Sonorum<\/h4>\n<p><em>Released by nusica.org, with the support of Nuovo IMAIE, <strong>Herbarium Sonorum<\/strong>, the new album by the duo of saxophonist Nicola Fazzini and double bassist Giovanni Maier: eleven free improvisations, recorded in a single day in a mountain stavolo in Carnia, each named after a plant or herb.<\/em><\/p>\n<p><strong>The album will be available on all digital platforms from 18 September 2026, preceded by the single Lavandula angustifolia, due out on 6 July 2026.<\/strong><\/p>\n<p><strong>Nicola Fazzini<\/strong> \u2013 alto saxophone<br \/>\n<strong>Giovanni Maier<\/strong> \u2013 double bass<\/p>\n<p><strong><em>Herbarium Sonorum: Nicola Fazzini and Giovanni Maier in eleven free improvisations for alto saxophone and double bass<\/em><\/strong><\/p>\n<p>Released by <strong>nusica.org<\/strong>, with the <strong>support of Nuovo IMAIE<\/strong>, <strong>Herbarium Sonorum<\/strong>, the new album by saxophonist <strong>Nicola Fazzini<\/strong> and double bassist <strong>Giovanni Maier<\/strong>. The <strong>43rd release in the label&#8217;s catalogue<\/strong> will be available on all digital platforms from 18 September 2026, preceded by the single <strong>Lavandula angustifolia<\/strong> on 6 July 2026.<\/p>\n<p><strong>Eleven free improvisations<\/strong>, recorded in a single day in a mountain stavolo in Carnia, make up a work centred on the <strong>dialogue between alto saxophone and double bass,<\/strong> mutual listening and the <strong>ability of sound to generate ever-new forms<\/strong>. Each track is named after a plant or herb: not as a descriptive programme, but as a shared vocabulary that accompanies and reflects the way the duo\u2019s music develops and transforms.<\/p>\n<p>The project did not begin with a declared intention to make an album, but grew out of <strong>a musical friendship built through more than twenty years of occasional encounters<\/strong>. Fazzini and Maier had played together in a quartet several years earlier, before becoming colleagues at the \u201cG. Tartini\u201d Conservatory in Trieste, where they teach Jazz Composition and Jazz Double Bass and Electric Bass respectively. In 2025, their musical relationship became more continuous, leading them to explore the duo format.<\/p>\n<p>A first session, recorded on the spot and released directly on Bandcamp before the encounter had taken shape as a recording project, already captures the spirit of their collaboration: not a predetermined construction, but the <strong>desire to document a rapport that arose spontaneously and was immediately recognised as fertile<\/strong>.<\/p>\n<p>The choice of the duo format and the album title itself stem from the same underlying idea. \u201cI favour small, even minimal line-ups: that is where I can bring out my sound most clearly, in a more rarefied, intimate setting,\u201d says <strong>Giovanni Maier<\/strong>. \u201cI am also passionate about plants and herbs, and I have always felt they were an apt metaphor for the kind of music we make: self-generating music, in which a small cell of just a few notes can develop into something highly complex, just as a seed grows into a plant. The concept was not devised in advance: it emerged afterwards, once the music had already taken root.\u201d<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1000\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036-300x200.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036-1024x683.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036-600x400.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036-768x512.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7036-1200x800.jpg 1200w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>The reference to the plant world belongs to a tradition running through jazz history \u2014 from Scott Joplin to Duke Ellington, nature has often provided music with a symbolic vocabulary \u2014 but in <strong>Herbarium Sonorum<\/strong> the <strong>botanical reference moves away from any purely evocative reading<\/strong>: the duo\u2019s sound world evokes less a carefully ordered garden than a dense, unpredictable thicket in constant transformation.<\/p>\n<p>The titles of the eleven tracks, too, arose from a practical need rather than from a preconceived scheme. Ahead of the recording, Fazzini and Maier decided to give each piece a title, drawing on a botanical vocabulary capable of expressing personal tastes, memories and affections: the grapevine, Vitis vinifera; emmer wheat, Triticum turgidum dicoccum; and suggestions gathered from Fazzini\u2019s mother\u2019s vegetable garden and the wild herbs of Carnia, such as Cicerbita alpina.<\/p>\n<p>Only later, when listening back to the material, <strong>the two musicians identified subtler correspondences between certain plants and the pieces associated with them<\/strong>, without forcing them into a system of equivalences. More a suggestive echo than a rigorous map: the possible analogy between the climbing nature of ivy and <strong>Hedera helix<\/strong>, for example, never becomes a prescribed key to interpretation, but remains an open thread for the listener to follow.<\/p>\n<p>The album was recorded on <strong>Friday, 24 April 2026<\/strong> at Nello Schneider\u2019s stavolo in Curiedi, near Fusea, in the province of Udine. A traditional mountain building of stone and wood, once used as a shelter for shepherds and a place for making cheese, the stavolo is now <strong>a quiet space with natural acoustics that gave the duo\u2019s sound a tangible physical presence<\/strong>. The work developed far from the conventions of a traditional studio, in an environment that became an active part of the album\u2019s character.<\/p>\n<p>No advance writing, no themes fixed beforehand: the pieces emerge in the moment, with mutual listening rather than a predetermined plan guiding the process. \u201cBy nature I am a planner, but on this album I chose to let go and follow instinct more than reason,\u201d admits <strong>Nicola Fazzini<\/strong>. \u201cCertain connections, in music as in human relationships, arise for mysterious reasons: in a sense, you size each other up, and sometimes it works in a completely unexpected way.\u201d<\/p>\n<p>In keeping with this approach, <strong>the album\u2019s track order exactly matches the sequence in which the pieces were recorded<\/strong>. The result is a <strong>journey that naturally alternates different atmospheres and densities<\/strong>, like a live concert without an audience, in which each episode also takes shape in relation to what came before.<\/p>\n<p>The advance single, <strong>Lavandula angustifolia<\/strong>, was chosen by the duo as the track that best represents the work as a whole: a piece capable of moving through different registers and dynamics in just a few minutes, distilling the album\u2019s wide range of colours.<\/p>\n<p>Fazzini and Maier do not see <strong>Herbarium Sonorum<\/strong> as music reserved for specialists. The way into the album is not specialist knowledge, but curiosity and a willingness to listen: the chance to follow two musicians meeting in the open space of improvisation without relinquishing form, melody or timbral exploration.<\/p>\n<\/div><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Nicola Fazzini, Giovanni Maier<\/strong><br \/>\n<strong>Herbarium Sonorum<\/strong><\/p>\n<p><strong>Line-up<\/strong><br \/>\nNicola Fazzini \u2013 alto saxophone<br \/>\nGiovanni Maier \u2013 double bass<\/p>\n<p><strong>Track list<\/strong><\/p>\n<p>Cicerbita alpina<br \/>\nTaraxacum officinale<br \/>\nSambucus nigra<br \/>\nCamellia sinensis<br \/>\nVitis vinifera<br \/>\nTriticum turgidum dicoccum<br \/>\nLavandula angustifolia<br \/>\nHedera helix<br \/>\nHypericum perforatum<br \/>\nPassiflora caerulea<br \/>\nPopulus alba<\/p>\n<p>All compositions by Nicola Fazzini and Giovanni Maier<br \/>\nRecorded Friday, 24 April 2026 at Nello Schneider\u2019s stavolo, Curiedi, Fusea (Udine)<br \/>\nRecording and mixing: Michele Pegan<br \/>\nCover photo: Igor Tullio<\/p>\n<p>Special thanks to Nello Schneider for his hospitality.<\/p>\n<p><strong>Production<\/strong><br \/>\nReleased by nusica.org, 2026, with the support of Nuovo IMAIE<\/p>\n<p><strong>For information<\/strong><br \/>\nwww.nusica.org \u2013 info@nusica.org<\/p>\n<p><strong>Press office and communications<\/strong><br \/>\nGiuseppe Bettiol \u2013 comunicati@giuseppebettiol.it \u2013 +39 349 1734262<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1699432965201-62ebfe1e-bf16\"><button aria-controls=\"content-1699432965201-62ebfe1e-bf16\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Nicola Fazzini, Giovanni Maier<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1699432965201-62ebfe1e-bf16\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1000\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1-300x200.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1-1024x683.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1-600x400.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1-768x512.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2026\/09\/IMG_7144-1-1200x800.jpg 1200w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Profiles<\/strong><\/p>\n<p><strong>Nicola Fazzini<\/strong> is a saxophonist, composer and improviser active in contemporary jazz and experimental music. Originally from the Veneto region, he has developed an expressive language that interweaves jazz tradition, sonic experimentation and contemporary composition, building an extensive career in Italy and abroad. Among his projects as leader and co-leader, XY Quartet \u2014 founded with Alessandro Fedrigo and active for more than fifteen years \u2014 stands out as one of the longest-running and most visionary groups on the contemporary Italian jazz scene. His collaborators include Enrico Rava, Peter Erskine, Carla Bley, Steve Swallow, Miles Okazaki, Amir ElSaffar, Fran\u00e7ois Houle and Nick Frazer. He has appeared on more than forty recordings, many as a leader. He is Professor of Jazz Composition at the \u201cG. Tartini\u201d Conservatory in Trieste, where he is also involved in curatorial work promoting contemporary jazz.<\/p>\n<p><strong>Giovanni Maier<\/strong> is a Friulian double bassist, composer and improviser, and one of the most distinctive figures in contemporary European jazz. Active since the 1980s, he has developed a personal language combining jazz, improvised music, contemporary classical tradition and timbral research, distinguishing himself both as a leader and in ensembles devoted to sonic experimentation, including Enrico Rava\u2019s historic Electric Five and the Italian Instabile Orchestra. He has collaborated with musicians including Gianluigi Trovesi, Cecil Taylor, Anthony Braxton, Keith and Julie Tippett, Louis Moholo, Roswell Rudd, Franco D\u2019Andrea and Tim Berne. His work is documented on more than 250 albums as a leader or sideman, many released on Palomar, the label he founded. Over the course of his career he has taken part in major festivals and interdisciplinary projects, also working in theatre, dance and film. He is Professor of Jazz Double Bass and Electric Bass at the \u201cG. Tartini\u201d Conservatory in Trieste.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-2812b2a3-3f8f\"><button aria-controls=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Streaming<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4><em>Herbarium Sonorum<\/em><\/h4>\n<\/div><\/div><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-5317\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-5317 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/HerbariumSonorum\" target=\"_blank\" rel=\"noopener\">Listen to the single <strong><em>Herbarium Sonorum<\/em><\/strong>\u00a0on the main streaming platforms<\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-4054\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-4054 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/LavandulaAngustifolia\" target=\"_blank\" rel=\"noopener\">Listen to the single <strong><em>Lavandula Angustifolia<\/em><\/strong>\u00a0on the main streaming platforms<\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474b2a3-3f8f\"><button aria-controls=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Tracks &amp; 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The album will be available...","protected":false},"author":1,"featured_media":11718,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11728"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=11728"}],"version-history":[{"count":4,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11728\/revisions"}],"predecessor-version":[{"id":11735,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11728\/revisions\/11735"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/11718"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=11728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=11728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=11728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}