{"id":11203,"date":"2025-11-17T13:08:38","date_gmt":"2025-11-17T12:08:38","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=11203"},"modified":"2025-11-17T14:58:30","modified_gmt":"2025-11-17T13:58:30","slug":"38-somewhere-story","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/38-somewhere-story\/?lang=en","title":{"rendered":"38 &#8211; Somewhere Story"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1200\" height=\"1200\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover.jpg 1200w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover-300x300.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover-1024x1024.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover-150x150.jpg 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/nusica38_cover-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbb2a3-3f8f\"><button aria-controls=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>38 Somewhere Story<\/h4>\n<p><em><strong>Oscar Del Barba OX Quartet<\/strong><\/em><\/p>\n<p><strong>From Stage to Sound: A New Musical Perspective on Leonard Bernstein\u2019s <em>West Side Story<\/em><\/strong><\/p>\n<p>The thirty-eighth release from <strong>nusica.org<\/strong> \u2014 a label that for over a decade has explored the languages of jazz and contemporary improvisation \u2014 <em>Somewhere Story<\/em> finds the <strong>Oscar Del Barba OX Quartet<\/strong> offering a fresh take on Bernstein\u2019s legacy: a sonic journey between acoustic and electronic worlds, where music born for the stage becomes living material for exploration.<\/p>\n<p>The album will be available on all digital platforms from <strong>November 18, 2025<\/strong>, preceded by the single <strong>\u201cAmerica\u201d<\/strong>, out on <strong>November 14<\/strong>.<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1004\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003-300x201.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003-1024x685.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-003-768x514.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>The new project by the <strong>Oscar Del Barba OX Quartet<\/strong> came about almost by chance \u2014 as often happens with the happiest ideas. The occasion was the <em>Festa dell\u2019Opera<\/em> organized by the Teatro Grande in Brescia in 2018, celebrating the anniversary of Leonard Bernstein\u2019s birth. Invited to pay tribute to the great composer, the quartet chose to take on <em>West Side Story<\/em> \u2014 one of the most iconic works of the twentieth century \u2014 reinterpreting selected excerpts and enriching the sound palette with electronic textures that converse with the group\u2019s acoustic colors.<\/p>\n<p>The concert was met with great enthusiasm, prompting the musicians to record the repertoire in the studio in a single day, capturing the spontaneity and energy of that live experience. After remaining unreleased for several years, the project now sees the light thanks to <strong>nusica.org<\/strong>, which is releasing it as an official album. <em>Somewhere Story<\/em> preserves the original freshness of that performance, transforming a tribute to Bernstein into a personal and passionate reimagining \u2014 suspended between memory and invention.<\/p>\n<p>The quartet \u2014 <strong>Oscar Del Barba<\/strong> (piano, synth, electronics, arrangements), <strong>Achille Succi<\/strong> (clarinet, bass clarinet, alto saxophone), <strong>Giacomo Papetti<\/strong> (electric bass, electronics), and <strong>Andrea Ruggeri<\/strong> (drums) \u2014 creates a dynamic and creative dialogue, where each instrument contributes to a wide and multifaceted sonic landscape. With Succi in particular, Del Barba renews a collaboration already explored in a previous project dedicated to Giuseppe Verdi.<\/p>\n<p>At the conceptual heart of the project lies <em>recontextualization<\/em>: the Oscar Del Barba OX Quartet approaches Bernstein\u2019s themes as living material, freeing them from text and stage to make them thrive in a new musical space, independent of theatrical narration. Bernstein\u2019s writing \u2014 so rich in rhythm, color, and theatricality \u2014 lends itself naturally to this collective vision, where melody becomes a matter of improvisation and continuous transformation. The electronics, introduced with taste and awareness, expand the sonic range without ever compromising the acoustic essence of the ensemble, which builds an autonomous dramaturgy faithful to Bernstein\u2019s spirit \u2014 where freedom and form meet and reflect each other.<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1004\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001-300x201.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001-1024x685.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-001-768x514.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>\u201cWe wanted to take <em>West Side Story<\/em> off the stage and bring it back to its musical essence, treating the pieces like jazz standards open to improvisation and color. From the very first rehearsals we worked on small harmonic and rhythmic adaptations, leaving each musician space to intervene freely and shape the sound together. Bernstein always engaged in dialogue with jazz and Latin music, and we continued that dialogue, seeking a balance between respect for the original and interpretative freedom. Electronics allowed us to further expand our palette of timbres, without ever losing the acoustic breath of the group. It\u2019s a living project that changes every time we play it: each piece is a small world to explore, where Bernstein\u2019s memory intertwines with our own voice and the joy of playing together.\u201d<br \/>\n\u2014 <em>Oscar Del Barba<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Music<\/strong><\/p>\n<p>The album\u2019s seven tracks revisit some of the most powerful moments of <em>West Side Story<\/em>, each reinterpreted with freedom and imagination.<br \/>\n<strong>America<\/strong> opens the album with driving energy, where rhythmic strength merges with an almost rock-like vitality. <strong>Cool<\/strong> alternates suspended atmospheres with sharply jazz-oriented improvisations, while <strong>I Feel Pretty<\/strong> evokes the lightness and dancing rhythm of South American music. In <strong>Maria<\/strong>, the lyricism of the original theme expands into a dialogue between acoustic and electronic timbres, creating a rich, contrasting soundscape. <strong>One Hand, One Heart<\/strong> moves into more intimate and dreamlike territory, with a rarefied, meditative tone. <strong>Somewhere<\/strong> recalls the jazz-rock sounds of the 1980s, blending melody and improvisation in a constantly shifting balance, while <strong>Tonight<\/strong> closes the journey with a crescendo of tension and intensity that restores all the dramatic power and emotion of Bernstein\u2019s score.<\/p>\n<p>The result is a musical voyage through styles and sensibilities \u2014 from jazz to Latin music, from rock to contemporary lyricism \u2014 revealing the deepest nature of <em>West Side Story<\/em>: a tale of contrasts, tensions, and harmonies, of emotions that find their universal language in music. <em>Somewhere Story<\/em> is not just a tribute, but a declaration of love for expressive freedom \u2014 the story of an encounter between eras, genres, and sounds that continues to speak to the present with the vitality of jazz and the poetry of Bernstein.<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1004\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002-300x201.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002-1024x685.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-002-768x514.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Oscar Del Barba OX Quartet<br \/>\n<\/strong>Oscar Del Barba \u2013 piano, synth, electronics, arrangements<br \/>\nAchille Succi \u2013 clarinet, bass clarinet, alto saxophone<br \/>\nGiacomo Papetti \u2013 electric bass, electronics<br \/>\nAndrea Ruggeri \u2013 drums<\/p>\n<p><strong><em>Somewhere Story<\/em><\/strong><\/p>\n<p><strong>Tracklist<br \/>\n<\/strong>America<strong><br \/>\n<\/strong>Cool<strong><br \/>\n<\/strong>I Feel Pretty<strong><br \/>\n<\/strong>Maria<strong><br \/>\n<\/strong>One Hand, One Heart<strong><br \/>\n<\/strong>Somewhere<strong><br \/>\n<\/strong>Tonight<\/p>\n<p>Music by Leonard Bernstein<br \/>\nArrangements by Oscar Del Barba<\/p>\n<p><strong>Production<\/strong><\/p>\n<p>Recorded, mixed, and mastered in Mantua on October 24, 2018, by Carlo Cantini at Digitubestudio.<br \/>\nProduced by Oscar Del Barba OX Quartet<br \/>\nReleased by <strong>nusica.org<\/strong>, 2025<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1699432965201-62ebfe1e-bf16\"><button aria-controls=\"content-1699432965201-62ebfe1e-bf16\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Oscar Del Barba OX Quartet<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1699432965201-62ebfe1e-bf16\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1004\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004-300x201.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004-1024x685.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/Oscar-Del-Barba-OX-Quartet-004-768x514.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>OSCAR DEL BARBA<\/strong> \u2013 Pianist, composer, and arranger from Brescia. A graduate in piano and jazz performance with top honors, winner of several international awards including the Gorni Kramer Prize, Valentino Bucchi Prize, and the \u201cScrivere in Jazz\u201d Competition (Sassari). He has collaborated with Markus Stockhausen, Dave Liebman, Javier Girotto, and Francesco Guccini, performing throughout Europe and Latin America. The author of more than ten albums as a leader \u2014 including <em>Two Suites for Jazz Orchestra<\/em> (Dot Time Records), <em>Giuseppe Verdi Entangled<\/em> (Da Vinci Records), and <em>In Fabula<\/em> (nusica.org) \u2014 he teaches jazz piano at the \u201cGiuseppe Verdi\u201d Conservatory in Milan.<\/p>\n<p><strong>ACHILLE SUCCI<\/strong> \u2013 One of the most original voices in European jazz on bass clarinet and alto saxophone, Succi is among Italy\u2019s leading improvisers of his generation. He has collaborated with Kenny Wheeler, Uri Caine, Ralph Alessi, Franco D\u2019Andrea, and Furio Di Castri, performing at numerous international festivals. Known for his distinctive language blending jazz, avant-garde, and contemporary music, he has released several critically acclaimed albums and teaches jazz at Siena Jazz University and the Conservatory of Ferrara.<\/p>\n<p><strong>GIACOMO PAPETTI<\/strong> (Brescia, 1984) \u2013 Electric bassist, double bassist, and composer active in contemporary jazz, alternative pop-rock, and experimental music. He has appeared on over 35 albums, including several as leader or co-leader with groups such as <em>The Loom<\/em> (with F. Sigurt\u00e0, A. Succi, N. Bandello), <em>Small Choices<\/em> (with E. Maniscalco and G. Rubino), <em>Mopoke<\/em> (with Michele Bonifati and Filippo Sala), and <em>Dimidiam<\/em> (with Massimiliano Milesi). He has performed hundreds of concerts in theaters, clubs, and festivals across Italy and abroad. He currently teaches jazz double bass at the Milan Conservatory and electric bass at the \u201cLuca Marenzio\u201d Conservatory in Brescia.<\/p>\n<p><strong>ANDREA RUGGERI<\/strong> \u2013 Drummer and composer active between jazz, world music, and sound research. He has collaborated with Paolo Fresu, Ralph Alessi, Stefano Battaglia, Furio Di Castri, Rita Marcotulli, Gianluigi Trovesi, and Elena Ledda, appearing at numerous festivals across Europe and the Mediterranean. He has recorded over forty albums for labels including Dodicilune, Da Vinci Jazz, S\u2019Ard Music, and Caligola Records. A member of award-winning projects such as the Targa Tenco and Premio Nazionale Citt\u00e0 di Loano, he was listed among the top talents in <em>Top Jazz 2023<\/em>. Founder of the ARE \u2013 Andrea Ruggeri Ensemble, he is a permanent member of the Oscar Del Barba OX Quartet.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-2812b2a3-3f8f\"><button aria-controls=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Streaming<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4><em>Somewhere Story<\/em><\/h4>\n<\/div><\/div><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-5651\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-5651 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/SomewhereStory\" target=\"_blank\" rel=\"noopener\">Listen to the <strong>album <em>Somewhere Story<\/em><\/strong>\u00a0on the main streaming platforms<\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-1960\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-1960 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/AmericaOscarDelBarbaOxQuartet\" target=\"_blank\" rel=\"noopener\">Listen to the <strong>single<\/strong> <strong><em>America<\/em><\/strong>\u00a0on the main streaming platforms<\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474b2a3-3f8f\"><button aria-controls=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Tracks and Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>America<br \/>\n<\/strong>The piece stands out for its strong rhythmic drive, featuring a metric subdivision alternating between two groups of three eighth notes or three groups of two \u2014 a classic <em>hemiola<\/em>. To emphasize this structure, the drums create a two-bar polyrhythm, expanding the subdivision into four groups of three eighths or six groups of two. Harmonically, the interpretation is quite free with respect to the chord symbols indicated in the score, and the rest of the band adds \u201copen\u201d sections, interspersing the thematic parts. These thematic moments are marked by a rock-like feel, contributing to an energetic and dynamic atmosphere.<\/p>\n<p><strong>Cool<br \/>\n<\/strong>The arrangement opens with an introduction for piano\/synth and alto saxophone. The first section consists of an improvisation over a sequence performed by an arpeggiator. The theme then appears in a completely reharmonized version, with a distinctly jazz character. The sequence alternates between thematic statements and variations, maintaining a consistent jazz mood all the way to the final coda. The structure allows for interpretative and improvisational freedom, typical of a jazz-oriented approach.<\/p>\n<p><strong>I Feel Pretty<br \/>\n<\/strong>This piece is also in triple meter and alternates between 3\/4 and 6\/8 time, evoking South American folk rhythms such as the <em>valse<\/em> and <em>chacarera<\/em>. The performance is characterized by great rhythmic and harmonic freedom compared to the written score. The execution follows the structure of a jazz standard: theme exposition, instrumental solo sections shared among the musicians, and a return to the theme leading to a closing coda.<\/p>\n<p><strong>Maria<br \/>\n<\/strong>The score serves as a foundation for highly open improvisations that draw on both electronic and acoustic timbres. The theme \u2014 a calm contrast to the chaotic introduction \u2014 is divided between piano and alto saxophone, then develops with the entrance of the rhythm section and contrapuntal lines, leading to the piece\u2019s conclusion. The overall approach is one of great interpretative freedom, with special attention to contrasts on multiple levels.<\/p>\n<p><strong>One Hand, One Heart<br \/>\n<\/strong>This delicate, dreamlike theme is treated with wide interpretative freedom. Harmonically, contrast is achieved through the use of clusters. The solo section features piano, electric bass, and bass clarinet in alternation, creating an ethereal and spontaneous atmosphere that lasts until the end of the piece.<\/p>\n<p><strong>Somewhere<br \/>\n<\/strong>The arrangement evokes the jazz-rock sound of the 1980s and \u201990s. Here too, the approach is very free \u2014 similar to that of a jazz standard \u2014 leaving room for rhythmic and harmonic spontaneity and improvisation, while keeping the thematic elements clearly recognizable, as in all the other pieces.<\/p>\n<p><strong>Tonight<br \/>\n<\/strong>The opening is built on a 3-against-4 polyrhythm, designed to create both harmonic and rhythmic contrast, generating a sense of rhythmic \u201cfloating.\u201d When the theme enters, the pulse stabilizes. This is followed by a piano solo, a restatement of the theme, and finally a bass clarinet solo over a rock groove built on an ostinato vamp. The progression culminates in a crescendo of tension, ending in a kind of final \u201cimplosion\u201d \u2014 an intense and increasingly dense surge of energy and atmosphere.<\/p>\n<p><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/11\/38-nusica-somewherestory.zip\" target=\"_blank\" rel=\"noopener\"><strong>PDF download<\/strong><\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-0439b2a3-3f8f\"><button aria-controls=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Get the Album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Sostieni nusica.org<\/h4>\n<p>nusica.org \u00e8 un&#8217;<strong>associazione no profit<\/strong> che promuove la cultura musicale.<br \/>\nPartecipa al progetto con una <strong>donazione di 14 euro<\/strong> e riceverai il cd in regalo.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction38 Somewhere Story Oscar Del Barba OX Quartet From Stage to Sound: A New Musical Perspective on Leonard Bernstein\u2019s West Side Story The thirty-eighth release from nusica.org \u2014 a label that for over a decade has explored the languages of jazz and contemporary improvisation \u2014 Somewhere Story finds the Oscar Del Barba OX Quartet offering...","protected":false},"author":1,"featured_media":0,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11203"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=11203"}],"version-history":[{"count":5,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11203\/revisions"}],"predecessor-version":[{"id":11208,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/11203\/revisions\/11208"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=11203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=11203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=11203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}