{"id":10755,"date":"2025-01-07T18:06:01","date_gmt":"2025-01-07T17:06:01","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=10755"},"modified":"2025-02-15T11:45:54","modified_gmt":"2025-02-15T10:45:54","slug":"33-sublimazione-fallita","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/33-sublimazione-fallita\/?lang=en","title":{"rendered":"33 &#8211; Sublimazione Fallita"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita.png\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1028\" height=\"1032\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita.png\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita.png 1028w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita-300x300.png 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita-1020x1024.png 1020w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita-150x150.png 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/nusica-metronautica-sublimazione-fallita-768x771.png 768w\" sizes=\"(max-width: 1028px) 100vw, 1028px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbb2a3-3f8f\"><button aria-controls=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>33 Sublimazione Fallita<\/h4>\n<p><em><strong>Metronautica<\/strong><\/em><\/p>\n<p><em>A journey through existential fog. A consciousness emerging from doubt, in the enigmatic symbiosis of dodecaphony, serialism, radical improvisation, free jazz, and electronic music.<\/em><\/p>\n<p>The 33rd release by <strong>nusica.org<\/strong>, a cultural association dedicated to promoting and supporting innovative artists.<\/p>\n<p>The new work by Metronautica, available in digital and physical formats starting <strong>January 18, 2025<\/strong>, preceded by the release of the single <em>2C<\/em> on <strong>January 10, 2025<\/strong>.<\/p>\n<p>Metronautica embarks on a multifaceted path in <strong>Sublimazione Fallita<\/strong>, a new album released on\u00a0 <strong><em>January 18, 2025<\/em><\/strong>, under the <a href=\"http:\/\/nusica.org\/\">nusica.org<\/a>\u00a0label.<\/p>\n<p>The title itself encapsulates the essence of an exploratory endeavor, fostering a new awareness where categorization attempts fail or, at best, remain partial.<\/p>\n<p>The album\u2019s central theme is <strong>mutability<\/strong>, the idea that one can transcend the divide between reality and singular definitions to explore new boundaries. In this way, art\u2014within Metronautica&#8217;s vision (a collective formed in 2021 by trumpeter Michele Tedesco and pianist Luca Dalla Gasperina)\u2014is never mere contemplation. Instead, it is a tool for action and a means of interpreting oneself and the world.<\/p>\n<p>The project draws on sophisticated references to <strong>Italo Svevo<\/strong> and <strong>Miguel de Unamuno<\/strong>, whose works (<em>La coscienza di Zeno<\/em>, 1923, and <em>Niebla<\/em>, 1914, respectively) reflect on the cracks in the everyday facade and the deceptive concept of normality\u2014or normativity. <em>Sublimazione Fallita<\/em>\u00a0thus acts as an attempt at \u201cdisorder,\u201d a desire to destabilize while affirming its own identity: clear yet chameleonic. It is a journey through existential fog, ultimately seeking self-awareness born from doubt, capable of generating and offering new solutions.<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1000\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-300x200.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-1024x683.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-600x400.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-768x512.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-1200x800.jpg 1200w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>Musically, the suite translates these ideas into a composition for six instruments, seamlessly blending stylistic elements of <strong>serialism<\/strong>, <strong>dodecaphony<\/strong>, <strong>radical improvisation<\/strong>, <strong>free jazz<\/strong>, and <strong>electronic music<\/strong>.<\/p>\n<p>Metronautica\u2019s <strong>Sublimazione Fallita<\/strong> is a bold and innovative project that challenges musical conventions while offering profound emotional and intellectual resonance.<\/p>\n<ol>\n<li>1A_1b (03:18)<\/li>\n<li>Ambient 1 (03:25)<\/li>\n<li>Ambient 2 (02:48)<\/li>\n<li>1C (00:15)<\/li>\n<li>Ambient 3 (04:47)<\/li>\n<li>1D_2A (00:15)<\/li>\n<li>Ambient 4 (06:33)<\/li>\n<li>2A BIS (00:06)<\/li>\n<li>2B (00:26)<\/li>\n<li>Ambient 5 (09:27)<\/li>\n<li>2C (00:33)<\/li>\n<li>2D (04:09)<\/li>\n<li>3A (01:49)<\/li>\n<li>Ambient 6_3A (05:34)<\/li>\n<\/ol>\n<p>Michele Tedesco | Trumpet, Composition, Audio Direction<br \/>\nLuca Dalla Gasperina| Keyboards<br \/>\nFederico Lincetto | Bass<br \/>\nThomas Osho Zausa | Drums 1<\/p>\n<p><em>Guests<\/em><br \/>\nLorenzo Cucco | Saxophone<br \/>\nGian Ranieri Bertoncini | Drums 2, Recording, Electronics, Post-production, Mixing, Mastering, and Audio Direction Coordination<\/p>\n<p>Recorded in January 2024 by Gian Ranieri Bertoncini at Bertoxi Studio, Santorso (VI)<br \/>\nCover by Gian Ranieri Bertoncini<br \/>\nPhotos by Lorenzo Badin<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1699432965201-62ebfe1e-bf16\"><button aria-controls=\"content-1699432965201-62ebfe1e-bf16\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Metronautica<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1699432965201-62ebfe1e-bf16\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1500\" height=\"1000\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica.jpg 1500w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica-300x200.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica-1024x683.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica-600x400.jpg 600w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica-768x512.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/metronautica-nusica-1200x800.jpg 1200w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Michele Tedesco<\/strong> (27) began as a classically trained musician before transitioning to pop, jazz, and eventually contemporary music. As a trumpeter, he has performed on Italian television (RAI and Mediaset) and collaborated with notable artists such as Fabrizio Bosso, Mauro Beggio, Georgios Tsolis, and Maria Schneider. His discography spans labels like Emme Records, Sony Music, and Dodicilune. A finalist in prestigious competitions like Chicco Bettinardi and Barga Jazz Contest, Tedesco\u2019s compositions evolved from post-bop influences to counterpoint-rich works blending acoustic and electronic sounds, heavily inspired by Schoenberg, Berg, and Webern.<\/p>\n<p><strong>Luca Dalla Gasperina<\/strong> (alias Digi) discovered his passion for music early, initially as an accordionist, then as a pop, rock, and jazz pianist. Known for his eclectic style and improvisational flair, he is a singer, keyboardist, composer, and arranger for Altera Nexa (a jazz-rock project) and a pianist\/composer for Metronautica.<\/p>\n<p><strong>Federico Lincetto<\/strong>, a bassist and double bassist, studied under Alain Caron and received recognition for his musicianship at the Umbria Jazz Clinics and from Berklee College of Music. A finalist in the \u201cBettinardi\u201d jazz competition, he is also part of Marcello Tonolo\u2019s *Italia Standard* project.<\/p>\n<p><strong>Thomas Osho Zausa<\/strong>, a drummer and percussionist, began studying music at age 10. Graduating in Jazz Percussion from the &#8220;A. Steffani&#8221; Conservatory in 2024, he has earned recognition in competitions such as Chicco Bettinardi and Barga Jazz. He released his first album with Metronautica (formerly Nameless Quartet) in January 2023 and is active in jazz and music education.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-2812b2a3-3f8f\"><button aria-controls=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Streaming<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4><strong><em>Sublimazione Fallita<\/em><\/strong><\/h4>\n<\/div><\/div><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-3086\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-3086 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/SublimazioneFallita\" target=\"_blank\" rel=\"noopener\">Listen to the <strong>album <em>Sublimazione Fallita<\/em><\/strong>\u00a0on the main <strong>streaming channels<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-9750\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-9750 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/2CMETRONAUTICA\" target=\"_blank\" rel=\"noopener\">Listen to the single <strong><em>2C<\/em><\/strong>\u00a0on the mail <strong>streaming channels<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474b2a3-3f8f\"><button aria-controls=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Tracks and Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>Sublimazione Fallita mira quasi ed esclusivamente a destabilizzare l\u2019ascoltatore.<\/p>\n<p>L\u2019augurata attenzione all\u2019ascolto si desidera avvenga tramite la continua alternanza tra momenti fortemente distesi (si pensi ad <strong>Ambient 6<\/strong>) a momenti di forte impatto sonoro quasi tendente, in alcuni punti, alla distorsione ( si pensi a <strong>1C<\/strong>).<\/p>\n<p>In altre parole, una sorta di continua \u201cTachicardia musicale\u201d, dove la repentinit\u00e0 del cambio stilistico (sia esso ritmico o timbrico) pu\u00f2 avvenire in qualsiasi momento ed in modo fulmineo: anche gli episodi pi\u00f9 eterei, a volte, celano al loro interno, in prossimit\u00e0 del punto in cui i nervi si allentano, sibillini e acuti rimandi ad universi sonori radicalmente difformi (si pensi al finire di <strong>Ambient 2<\/strong>).<\/p>\n<p>Tutto ci\u00f2 deriva, inevitabilmente, dalle atmosfere sonore, ricche di contrasti, tipiche della musica del novecento, dove la mutevolezza dell\u2019animo umano, in grado di metamorfosare assai velocemente nella sua sincera essenza, viene minuziosamente descritta in musica. Basti pensare, per esempio, a tutta la filmografia inerente agli esordi del secolo scorso, dove l\u2019utilizzo di matrici atonali e seriali era di assai largo impiego, vista la necessit\u00e0 sonoro-descrittiva inerente alle tematiche decadentiste mostrate su schermo.<\/p>\n<p>Sublimazione Fallita \u00e8 anche un ritorno al concetto pi\u00f9 puro ed etimologico della parola \u201cSuono\u201d, che viene strutturato secondo puri principi numerico-matematici non lasciando minimamente spazio a qualsiasi concetto di relazione sonora (si pensi ad <strong>Ambient<\/strong> 5) nella volont\u00e0 di \u201cfare musica senza l\u2019utilizzo della musica stessa\u201d, per cos\u00ec dire.<\/p>\n<p>La suite prevede anche l\u2019impiego di suoni elettronici dal carattere comico, ilare (si pensi ad <strong>Ambient 4<\/strong>) nella volont\u00e0 di realizzare un progetto di musica contemporanea non rientrante nell\u2019ormai consueto parallelismo \u201cAvanguardista-Aulico\u201d, poich\u00e9, l\u2019avanguardia \u00e8 attualit\u00e0, e per definirsi tale, seppur molto complessa come la vita dell\u2019uomo contemporaneo, dovrebbe presentare vie d\u2019accesso, a volte adottanti anche spunti di sdrammatizzazione, perch\u00e9 no, fornite dai fautori stessi, i musicisti.<\/p>\n<p>A conclusione, il concetto, di ispirazione decadentista, che permea sublimazione fallita, ed indi riuscita, esposto nella presentazione del progetto, vede la sua totale esemplificazione a partire dalla sezione <strong>3A<\/strong>, nella quale, la presenza di \u201cAccordi Maggiore Settima\u201d, a distanze intervallari alternate di terza maggiore e quarta giusta, suggeriscono un atmosfera ambiguamente positiva e consueta. Tutto ci\u00f2 perch\u00e9 i suddetti accordi, medesimi nella tipologia ma situati su rapporti intervallari dissimili, contribuiscono a creare un\u2019atmosfera sospesa, una sorta di risoluzione psicofisica che procrastina continuamente nel manifestarsi, una cristallinit\u00e0 esteticamente piacevole ma interrogativa nella sostanza.<\/p>\n<p><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2025\/01\/sublimazione-fallita-partiture.pdf\" target=\"_blank\" rel=\"noopener\"><strong>Scarica il PDF con le partiture<\/strong><\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1718784976065-5c87a1da-445c\"><button aria-controls=\"content-1718784976065-5c87a1da-445c\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1718784976065-5c87a1da-445c\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/Cnlrq8clTig?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-0439b2a3-3f8f\"><button aria-controls=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Get the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Sostieni nusica.org<\/h4>\n<p>nusica.org \u00e8 un&#8217;<strong>associazione no profit<\/strong> che promuove la cultura musicale.<br \/>\nPartecipa al progetto con una <strong>donazione di 14 euro<\/strong> e riceverai il cd in regalo.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction33 Sublimazione Fallita Metronautica A journey through existential fog. A consciousness emerging from doubt, in the enigmatic symbiosis of dodecaphony, serialism, radical improvisation, free jazz, and electronic music. The 33rd release by nusica.org, a cultural association dedicated to promoting and supporting innovative artists. The new work by Metronautica, available in digital and physical formats starting...","protected":false},"author":1,"featured_media":10742,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10755"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=10755"}],"version-history":[{"count":6,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10755\/revisions"}],"predecessor-version":[{"id":10807,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10755\/revisions\/10807"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/10742"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=10755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=10755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=10755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}