{"id":10533,"date":"2024-06-12T11:46:32","date_gmt":"2024-06-12T09:46:32","guid":{"rendered":"https:\/\/www.nusica.org\/web\/?page_id=10533"},"modified":"2024-06-19T10:31:10","modified_gmt":"2024-06-19T08:31:10","slug":"opus-two","status":"publish","type":"page","link":"https:\/\/www.nusica.org\/web\/label\/opus-two\/?lang=en","title":{"rendered":"30 &#8211; Opus Two"},"content":{"rendered":"<section class=\"l-section wpb_row height_auto\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row type_default valign_top\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner type_sticky\"><div class=\"wpb_wrapper\"><div class=\"w-image align_center\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"1425\" height=\"1425\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px.jpg 1425w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px-300x300.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px-1024x1024.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px-150x150.jpg 150w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px-768x768.jpg 768w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/05\/OPUS_TWO_30-nusica_Cover_300dpi_16bit_1425x1425px-1200x1200.jpg 1200w\" sizes=\"(max-width: 1425px) 100vw, 1425px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-tabs style_default switch_click accordion has_scrolling type_togglable title_atleft icon_chevron iconpos_right\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section active\" id=\"1616143362057-71e110c9-19dbb2a3-3f8f\"><button aria-controls=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" class=\"w-tabs-section-header active\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Introduction<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616143362057-71e110c9-19dbb2a3-3f8f\" aria-expanded=\"true\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>30 Opus Two<\/h4>\n<p><em><strong>Piero Gaddi Quartet feat. Bjorn S<b>\u00f8<\/b>lli<\/strong><\/em><\/p>\n<p><em>An overwhelming balance of form and meaning in the interweaving of music jazz, rock, cultured and Mediterranean folk traditions.<\/em><\/p>\n<p><strong>Thirtieth production for nusica.org, a cultural association that promotes and supports innovative artists. The new work by Piero Gaddi Quartet feat. Bj\u00f8rn Solli due out on June 18, 2024. The album is anticipated by the release of the single Il tempo volato, available from June 14.<\/strong><\/p>\n<p>It is situated in the interstices, in the space where it is possible to converge multiple suggestions, the latest work by Piero Gaddi Quartet to be released on June 18 June for the music label nusica.org.<\/p>\n<p>An album, Opus Two, placed in continuity with the previous Opus One (2020)\u00a0 whose premises, ideas and sounds it develops. The natural continuation is also represented by the continuation of the same lineup, kept unchanged by Gaddi in order to ensure pliability in the compositional process.<\/p>\n<p>In the four years of experience gained together, the group, with the contribution of guitarist Bj\u00f8rn Solli, has become an instrument capable of plumbing, expand and deepen the ideas behind the compositional material. A quintet marked by an extraordinary quality of sound, an intensity in execution aimed at engaging the listener.<\/p>\n<\/div><\/div><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"2000\" height=\"1265\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2.jpg 2000w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2-300x190.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2-1024x648.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/DSC_5064-2000-2-768x486.jpg 768w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p>It is a music, that of Piero Gaddi Quartet feat. Bj\u00f8rn Solli that evokes different landscapes and multiple sensations by trying to exploit the entire palette timbre and dynamics at its disposal. A crossover that inaugurates connections between different genres and cultures, in constant balance between experimentation and tradition.<\/p>\n<p>In this perspective, the compositional work enacted in Opus Two aims to give birth to gradually developing sonic organisms in unconventional ways, in the use of communicative codes &#8211; intellectual and emotional &#8211; recognizable by the listener, in a continuous path of &#8216;immersion&#8217; and knowledge.<\/p>\n<p>Each piece has its own story because it is thought of as a living organism, autonomous, with rules of its own. For this reason, sometimes traces are preserved \u00a0of the song form, but more often the construction of the piece tends to depart from it to take different paths, leaving the generative material to the choice of its own evolution.<\/p>\n<p>The nine tracks comprising the album thus appear to be pieces of a mosaic iridescent, tracks with evocative titles (Transeunte; The Linchetto; In quiet; The rain; Bye bye Boris; Rose of France; Inverse; The Law; Time Flew) called to compose a mix of suggestions and motifs untethered from mere contentism in a hypnotic journey to the border between genres.<\/p>\n<p>Piero Gaddi | piano<br \/>\nFabrizio Desideri | clarinet, soprano saxophone<br \/>\nAndrea Beninati | cello, drums<br \/>\nFilippo Pedol | double bass<br \/>\nBj\u00f8rn Solli | guitar<\/p>\n<p>All pieces are by Piero Gaddi with the exception of <em>La legge<\/em>, by Fabrizio Desideri<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1699432965201-62ebfe1e-bf16\"><button aria-controls=\"content-1699432965201-62ebfe1e-bf16\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Piero Gaddi Quartet feat. Bjorn S\u00f8lli<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1699432965201-62ebfe1e-bf16\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-image us_custom_a833bf3c align_none\"><a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME.jpg\" ref=\"magnificPopup\" aria-label=\"Link\" class=\"w-image-h\"><img width=\"2000\" height=\"1138\" src=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME.jpg 2000w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME-300x171.jpg 300w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME-1024x583.jpg 1024w, https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/PGQ-INSIEME-768x437.jpg 768w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><\/div><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>Piero Gaddi<\/strong> has played at many Italian festivals, in France, Germany,\u00a0 Norway, Spain, Poland, Mozambique. Among others with Ivan Mazuze, Mike Turk, Bjorn Vidar Solli, Flavio Boltro, Paolo Fresu, Tom Lorenz, Paolino Dalla Porta, Alessandro Fabbri, Fabio Morgera, Pietro Tonolo, Marco Micheli, Marco Tamburini, Hans Mathisen, Guy Sion, Per Mathisen, Francesco Ponticelli, Bernardo Guerra, Raciel Torres, Mirco Guerrini, Deborah Davis, Ruben Chaviano, Alfred Kramer, Francesco Petreni, Stelio Mondlane, Adam Lema\u0144czyk, Scott Hamilton.<\/p>\n<p>A classically trained pianist, he perfected his skills at Siena Jazz and later graduated in jazz at the Livorno Conservatory with honors. marks. He also holds a degree in musicology from the D.A.M.S. in Bologna with top grades. He currently coordinates the jazz department at the La Spezia conservatory where he holds the chair of jazz piano. He has taught at the Conservatory of Lucca and for 15 years jazz piano at the conservatory of Livorno. A multifaceted artist, in 1998 he founded the quartet Inter Nosper for which he composes original pieces and with which he performs at numerous festivals and records two CDs (\u201cPor Rufina Amaya\u201d and \u201cFigures in the Background\u201d). He then performs in France in Cannes. He accompanies some excellent soloists such as. Karima Ammar, Federica Gennai, Petra Magoni, Michela Lombardi. In 2006 and 2008 he plays in Munich with different ensembles.<\/p>\n<p>In trio with Fabrizio Desideri and Paolino Dalla Porta he has a collaboration on original repertoires that he presents in some national festivals. He plays some years in duo with Cuban violinist Ruben Chaviano original and traditional pieces using elements of Latin American music, cultured music and jazz. In 2007 he founded the Jubilum Jazz Chorus in which he reworks the repertoire liturgical, pop and rock in a jazz-gospel key. He wins with the choir the First Absolute Prize at the International Competition of Asti in 2012 and the First Absolute Prize at the competition \u201cRiviera Etrusca\u201d in 2017. He records two CDs for \u201cVinyl\u201d (\u201cAmazing Grace\u201d and \u201cJubilum Jazz Christmas\u201d). In 2018 with the JJC he is invited to perform at the institute of Italian culture in Cologne. In 2014 he participates in C.R.I.G., a collective with which he reworks and rearranges in a jazz key songs from Garfagnana&#8217;s popular culture and performs in some festivals (Bargajazz, Anfiteatro jazz, Massarosa jazzfest);a CD was released at the end of 2015 along with a book published by \u201cEffigi.\u201d With Fabrizio Desideri he has a project for piano and clarinet dedicated to Latin American music \u201cPor una cabeza\u201d that he presents in some festivals Italy. In 2018 he forms the Desideri-Gaddi quartet in which the following also appear. Francesco Petreni and Filippo Pedol with whom he plays in various festivals.<\/p>\n<p>He plays in Ivan Mazuze&#8217;s Italian quartet with Francesco Ponticelli and Bernardo Guerra since 2019. In December 2019, he is invited to play in Africa at the \u201cMozambique Music Meeting\u201d in Maputo with the African quintet of saxophonist Ivan Mazuze. In 2020 he founds the Piero Gaddi Quartet with which he plays original music together with Fabrizio Desideri, Filippo Pedol and Andrea Beninati. With the group in the same year he made his debut at Pisa Jazz and recorded \u201cOpus One\u201d (Vinile Records) hosting Norwegian guitarist Bjorn Solli. He plays with the quartet with guest Solli in some important jazz festivals including \u201cSpejazz,\u201d a jazz festival in La Spezia, at \u201cTrentino jazz\u201d in Trento and Chiavari Jazz. He has a duo project, between acoustic and electric, with the great trumpeter Flavio Boltro. In 2022 he is invited to Poland, to Bydgoszcz, where he plays his music with Adam Lema\u0144czyk, Antoni Olszewski and Mateusz Krawczyk in the great hall of the Akademia Muzyczna. In Norway, in November 2022 he plays at the Haerverk caf\u00e9 and the Italian Institute of Culture with his quintet and at the Grand Caf\u00e9 in Oslo in a duo with Bjorn Solli.<\/p>\n<p>He plays at the Drammen Theater (Norway) with Per and Hans Mathisen. He plays at the Conservatory of La Coruna with Roberto Somoza<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144214346-b861b3ca-2812b2a3-3f8f\"><button aria-controls=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Listen to<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144214346-b861b3ca-2812b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4><strong><em>Opus Two<\/em><\/strong><\/h4>\n<\/div><\/div><div class=\"uavc-list-icon uavc-list-icon-wrapper ult-adjust-bottom-margin \"><ul class=\"uavc-list\"><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-1992\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-1992 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/OpusTwo\" target=\"_blank\" rel=\"noopener\">Listen the <strong>album <em>Opus Two<\/em><\/strong> on the main<strong> streaming channels<\/strong><\/a><\/span><\/div><\/li><li><div class=\"uavc-list-content\" id=\"list-icon-wrap-2559\">\n<div class=\"uavc-list-icon \" data-animation=\"\" data-animation-delay=\"03\" style=\"margin-right:5px;\"><div class=\"ult-just-icon-wrapper \"><div class=\"align-icon\" style=\"text-align:center;\">\n<div class=\"aio-icon none \"  style=\"color:#333333;font-size:12px;display:inline-block;\">\n\t<i class=\"Defaults-arrow-right\"><\/i>\n<\/div><\/div><\/div>\n<\/div><span  data-ultimate-target='#list-icon-wrap-2559 .uavc-list-desc'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}'  class=\"uavc-list-desc ult-responsive\" style=\"\"><a href=\"https:\/\/pirames.lnk.to\/IlTempoVolato\" target=\"_blank\" rel=\"noopener\">Listen the <strong>single <em>Il Tempo Volato<\/em><\/strong> on the main<strong> streaming channels<\/strong><\/a><\/span><\/div><\/li><\/ul><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144522879-82acdaeb-9474b2a3-3f8f\"><button aria-controls=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Scores<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144522879-82acdaeb-9474b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><p><strong>01. Transeunte<\/strong>: Subject to the law of becoming. All of us, in every single moment, are something slightly different. Even when we cease to live, we become. The thematic elements of this composition continuously change and transform. Sometimes they are the main theme, then they become accompanying elements, unpredictably. The musical tempo is also extremely unstable: initially, it is in 7\/4, then it unfolds using as many as seven different meters.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/Transeunte-Gaddi.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>02. Il Linchetto<\/strong>: This is a gnome, an elf often described in the popular stories of Lucca. It is not excessively dangerous but certainly mischievous and malicious. It loves to play pranks and hates being discovered. No one has ever managed to see it, except fleetingly. The brief theme, with its edgy and unpredictable character, fits well with this figure that haunts the villages and forests of Garfagnana.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/Il-linchetto-Gaddi-_-C-leadsheet-tema.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>03. In quieto<\/strong>: A piece with many nuances, moving like a slow bolero. The introduction has a vaguely French flavor. The main theme is lyrical and the harmony feels suspended. A moment of tranquility tinged with restlessness. At the end, it briefly turns into a tango before fading away.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/In-quieto-Gaddi-C-score.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>04. La pioggia<\/strong>: The entire composition springs from an 11\/8 guitar riff. From the arrival of the downpour to the end of the storm. The central part with the sax solo is polymetric.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/LA-PIOGGIA-Gaddi-.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>05. Bye bye Boris<\/strong>: The piece stems from a great love for early 20th-century Russian music, especially Prokofiev and Shostakovich. It tends to evoke scenes and landscapes related to the Cold War. I wrote it a few months before the conflict between Russia and Ukraine began.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/bye_bye_Boris-GADDI-CONCERT.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>06. Rosa di Francia<\/strong>: A choro inspired by the love that binds two of my daughters (Rosa and Francesca). A dialectical and indissoluble bond.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/Rosa_di_Francia-Gaddi.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>07. Inverso<\/strong>: Reality and its reflection are the basis of the composition. From the midpoint onwards, the theme becomes its inverse: a technique where the intervals between sounds trace an exactly opposite line, similar to an image reflected in water. The harmony amplifies the thoughtful and static atmosphere of the piece.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/Inverso-Gaddi-_-C-score.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>08. La legge<\/strong>: It is a piece that has traversed at least two dimensions: the oneiric and the &#8220;real&#8221; one. The dream story, dated April 5, 2023, reads: &#8220;we are in the studio&#8217;s control room and we are listening to a piece with a verse that harmonically ascends in tone starting from the IV degree, in portions of 2 bars, and resolves in a phrase on the I degree (octave)&#8230;&#8221; Upon waking, it was not difficult to put on paper what was just heard in the dream, and the addition of conceptual modifications due to the waking state was inevitable. The piece, once forgotten, came back to life exactly a year later and the dreamed scene repeated itself identically in the here and now. It is inspired by the law of seven or &#8220;law of the octave&#8221;.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/the_law_nusica.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<p><strong>09. Il tempo volato<\/strong>: The piece has a cyclical structure. It is built starting from the thematic element of the piano, to which the other group members gradually add. Towards the end of the sax solo, there is a background quote from Coltrane, as the harmonic logic of the piece derives from the mastery of this American composer and improviser.<br \/>\n<a href=\"https:\/\/www.nusica.org\/web\/wp-content\/uploads\/2024\/06\/il-tempo-volato-Gaddi.pdf\" target=\"_blank\" rel=\"noopener\">Download Scores<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1718785117283-50525135-0b0e\"><button aria-controls=\"content-1718785117283-50525135-0b0e\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Video<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1718785117283-50525135-0b0e\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/qcfO2idqytQ?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-video align_left ratio_16x9\"><div class=\"w-video-h\"><iframe src=\"\/\/www.youtube.com\/embed\/4uh13G_I2wQ?autoplay=0&controls=1&origin=https%3A%2F%2Fwww.nusica.org%2Fweb\" allowfullscreen=\"1\"><\/iframe><\/div><div class=\"w-video-icon\" style=\"font-size:1.5rem;background:rgba(0,0,0,0.5);color:#fff;\"><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"1616144535650-1b74593a-0439b2a3-3f8f\"><button aria-controls=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" class=\"w-tabs-section-header\"><div class=\"w-tabs-section-header-h\"><div class=\"w-tabs-section-title\">Receive the album<\/div><div class=\"w-tabs-section-control\"><\/div><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-1616144535650-1b74593a-0439b2a3-3f8f\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\" ><div class=\"wpb_wrapper\"><h4>Sostieni nusica.org<\/h4>\n<p>nusica.org \u00e8 un&#8217;<strong>associazione no profit<\/strong> che promuove la cultura musicale.<br \/>\nPartecipa al progetto con una <strong>donazione di 14 euro<\/strong> e riceverai il cd in regalo.<\/p>\n<\/div><\/div>[vc_raw_html el_class=&#8221;bottonedonacd&#8221;]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[\/vc_raw_html]<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"Introduction30 Opus Two Piero Gaddi Quartet feat. Bjorn S\u00f8lli An overwhelming balance of form and meaning in the interweaving of music jazz, rock, cultured and Mediterranean folk traditions. Thirtieth production for nusica.org, a cultural association that promotes and supports innovative artists. The new work by Piero Gaddi Quartet feat. Bj\u00f8rn Solli due out on June...","protected":false},"author":1,"featured_media":10491,"parent":6145,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10533"}],"collection":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/comments?post=10533"}],"version-history":[{"count":8,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10533\/revisions"}],"predecessor-version":[{"id":10548,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/10533\/revisions\/10548"}],"up":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/pages\/6145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media\/10491"}],"wp:attachment":[{"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/media?parent=10533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/categories?post=10533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusica.org\/web\/wp-json\/wp\/v2\/tags?post=10533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}